‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary Hill

‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary Hill

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Several decades ago or more when art was thought of as a liminal flicker at best of North Queensland culture in the anthropological sense, a handful of writers were trying to establish creative writing as a presence. Writing and publishing is a mostly exclusively metropolitan creative industry, so w...

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Bibliographic Details
Main Author: Stephen Torre
Format: Article
Language:English
Published: James Cook University 2016-08-01
Series:eTropic: electronic journal of studies in the tropics
Online Access:https://journals.jcu.edu.au/etropic/article/view/3307
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spelling doaj-7915308402204596b421c41473819a972021-09-16T01:45:42ZengJames Cook UniversityeTropic: electronic journal of studies in the tropics1448-29402016-08-01151‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary HillStephen Torre0James Cook UniversitySeveral decades ago or more when art was thought of as a liminal flicker at best of North Queensland culture in the anthropological sense, a handful of writers were trying to establish creative writing as a presence. Writing and publishing is a mostly exclusively metropolitan creative industry, so writers often struggle to be published and read outside urban areas. There are still challenges to being a writer in North Queensland—as described in Elizabeth Smyth’s 2016 piece for Meanjin Quarterly, “Sunday Bldy Sunday”.https://journals.jcu.edu.au/etropic/article/view/3307
collection DOAJ
language English
format Article
sources DOAJ
author Stephen Torre
spellingShingle Stephen Torre
‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary Hill
eTropic: electronic journal of studies in the tropics
author_facet Stephen Torre
author_sort Stephen Torre
title ‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary Hill
title_short ‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary Hill
title_full ‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary Hill
title_fullStr ‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary Hill
title_full_unstemmed ‘All the world’s a stage’: Place and Identity in David de Vaux’s Cassowary Hill
title_sort ‘all the world’s a stage’: place and identity in david de vaux’s cassowary hill
publisher James Cook University
series eTropic: electronic journal of studies in the tropics
issn 1448-2940
publishDate 2016-08-01
description Several decades ago or more when art was thought of as a liminal flicker at best of North Queensland culture in the anthropological sense, a handful of writers were trying to establish creative writing as a presence. Writing and publishing is a mostly exclusively metropolitan creative industry, so writers often struggle to be published and read outside urban areas. There are still challenges to being a writer in North Queensland—as described in Elizabeth Smyth’s 2016 piece for Meanjin Quarterly, “Sunday Bldy Sunday”.
url https://journals.jcu.edu.au/etropic/article/view/3307
work_keys_str_mv AT stephentorre alltheworldsastageplaceandidentityindaviddevauxscassowaryhill
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