Pan-pan Girls: Humiliating Liberation in Postwar Japanese Literature

This paper looks at some literary representations of the ‘pan-pan girls’ in postwar Japan. ‘Pan-pan’ is a derogatory term for street prostitutes who (mostly) served the soldiers of the occupying forces. Immediately after World War II, the Japanese government established the RAA (Recreation Amusement...

Full description

Bibliographic Details
Main Author: Rumi Sakamoto
Format: Article
Language:English
Published: UTS ePRESS 2010-09-01
Series:PORTAL: Journal of Multidisciplinary International Studies
Subjects:
Online Access:https://learning-analytics.info/journals/index.php/portal/article/view/1515
id doaj-79051e0b3cd84519bf32ff8a61d4994a
record_format Article
spelling doaj-79051e0b3cd84519bf32ff8a61d4994a2020-11-24T20:59:57ZengUTS ePRESSPORTAL: Journal of Multidisciplinary International Studies1449-24902010-09-017210.5130/portal.v7i2.15151092Pan-pan Girls: Humiliating Liberation in Postwar Japanese LiteratureRumi Sakamoto0University of AucklandThis paper looks at some literary representations of the ‘pan-pan girls’ in postwar Japan. ‘Pan-pan’ is a derogatory term for street prostitutes who (mostly) served the soldiers of the occupying forces. Immediately after World War II, the Japanese government established the RAA (Recreation Amusement Association) and employed several thousand women to provide sexual services for foreign soldiers, ostensibly to protect Japanese women of middle and upper classes from rape and other violence. When the RAA was closed down in 1946 due to the US concern over widespread VD, many of the women who lost their jobs went out on the street and became private and illegal prostitutes – the pan-pan girls. With their red lipstick, cigarettes, nylon stockings and high-heel shoes, often holding onto the arms of tall, uniformed American GIs, the ‘pan-pan girls’ became a symbol of the occupation, and have been textually reproduced throughout the postwar period. This paper analyses the images and representations of the ‘pan-pan girls’ in postwar Japanese literature, to consider how the ‘pan-pan girls’ have functioned as a metaphor for the occupation and contributed to the public memory construction of the occupation. I identify some major codes of representations (victimisation, humiliation, and national trauma; eroticism and decadence; sexual freedom and materialism) and argue that the highly gendered and sexualised bodies of the ‘pan-pan girls’ have continued to allow simplistic and selective remembering of the occupation at the expense of recalling the pivotal role of Japanese patriarchy in the postwar period.https://learning-analytics.info/journals/index.php/portal/article/view/1515GenderJapanPan-pan girlsLiterary representationOccupation
collection DOAJ
language English
format Article
sources DOAJ
author Rumi Sakamoto
spellingShingle Rumi Sakamoto
Pan-pan Girls: Humiliating Liberation in Postwar Japanese Literature
PORTAL: Journal of Multidisciplinary International Studies
Gender
Japan
Pan-pan girls
Literary representation
Occupation
author_facet Rumi Sakamoto
author_sort Rumi Sakamoto
title Pan-pan Girls: Humiliating Liberation in Postwar Japanese Literature
title_short Pan-pan Girls: Humiliating Liberation in Postwar Japanese Literature
title_full Pan-pan Girls: Humiliating Liberation in Postwar Japanese Literature
title_fullStr Pan-pan Girls: Humiliating Liberation in Postwar Japanese Literature
title_full_unstemmed Pan-pan Girls: Humiliating Liberation in Postwar Japanese Literature
title_sort pan-pan girls: humiliating liberation in postwar japanese literature
publisher UTS ePRESS
series PORTAL: Journal of Multidisciplinary International Studies
issn 1449-2490
publishDate 2010-09-01
description This paper looks at some literary representations of the ‘pan-pan girls’ in postwar Japan. ‘Pan-pan’ is a derogatory term for street prostitutes who (mostly) served the soldiers of the occupying forces. Immediately after World War II, the Japanese government established the RAA (Recreation Amusement Association) and employed several thousand women to provide sexual services for foreign soldiers, ostensibly to protect Japanese women of middle and upper classes from rape and other violence. When the RAA was closed down in 1946 due to the US concern over widespread VD, many of the women who lost their jobs went out on the street and became private and illegal prostitutes – the pan-pan girls. With their red lipstick, cigarettes, nylon stockings and high-heel shoes, often holding onto the arms of tall, uniformed American GIs, the ‘pan-pan girls’ became a symbol of the occupation, and have been textually reproduced throughout the postwar period. This paper analyses the images and representations of the ‘pan-pan girls’ in postwar Japanese literature, to consider how the ‘pan-pan girls’ have functioned as a metaphor for the occupation and contributed to the public memory construction of the occupation. I identify some major codes of representations (victimisation, humiliation, and national trauma; eroticism and decadence; sexual freedom and materialism) and argue that the highly gendered and sexualised bodies of the ‘pan-pan girls’ have continued to allow simplistic and selective remembering of the occupation at the expense of recalling the pivotal role of Japanese patriarchy in the postwar period.
topic Gender
Japan
Pan-pan girls
Literary representation
Occupation
url https://learning-analytics.info/journals/index.php/portal/article/view/1515
work_keys_str_mv AT rumisakamoto panpangirlshumiliatingliberationinpostwarjapaneseliterature
_version_ 1716780863486689280