Rappresentare: Némirovsky tra narrativa e teatro

Rappresentare: Némirovsky tra narrativa e teatro

The paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular two Italian productions: Il Ballo, conceived and performed by Sonia Bergamasco, and the play Jezabel, adapted from the namesake novel by Maddalena Mazzocut-Mis and Sofia Pelczer, and directed by the...

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Main Author: Elena Quaglia
Format: Article
Language:English
Published: Università degli Studi di Milano 2019-08-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/12059
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spelling doaj-78d4055bcf27497998f2da34079601fc2020-11-25T03:23:25ZengUniversità degli Studi di MilanoItinera2039-92512019-08-011710.13130/2039-9251/12059Rappresentare: Némirovsky tra narrativa e teatroElena Quaglia0Università di Verona The paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular two Italian productions: Il Ballo, conceived and performed by Sonia Bergamasco, and the play Jezabel, adapted from the namesake novel by Maddalena Mazzocut-Mis and Sofia Pelczer, and directed by the latter. The analysis of these performances allows also to highlight the inherent theatrical dimension of Némirovsky’s work, both on a thematic and formal level. Némirovsky, representation, theatre, intermediality https://riviste.unimi.it/index.php/itinera/article/view/12059
collection DOAJ
language English
format Article
sources DOAJ
author Elena Quaglia
spellingShingle Elena Quaglia
Rappresentare: Némirovsky tra narrativa e teatro
Itinera
author_facet Elena Quaglia
author_sort Elena Quaglia
title Rappresentare: Némirovsky tra narrativa e teatro
title_short Rappresentare: Némirovsky tra narrativa e teatro
title_full Rappresentare: Némirovsky tra narrativa e teatro
title_fullStr Rappresentare: Némirovsky tra narrativa e teatro
title_full_unstemmed Rappresentare: Némirovsky tra narrativa e teatro
title_sort rappresentare: némirovsky tra narrativa e teatro
publisher Università degli Studi di Milano
series Itinera
issn 2039-9251
publishDate 2019-08-01
description The paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular two Italian productions: Il Ballo, conceived and performed by Sonia Bergamasco, and the play Jezabel, adapted from the namesake novel by Maddalena Mazzocut-Mis and Sofia Pelczer, and directed by the latter. The analysis of these performances allows also to highlight the inherent theatrical dimension of Némirovsky’s work, both on a thematic and formal level. Némirovsky, representation, theatre, intermediality
url https://riviste.unimi.it/index.php/itinera/article/view/12059
work_keys_str_mv AT elenaquaglia rappresentarenemirovskytranarrativaeteatro
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