Rappresentare: Némirovsky tra narrativa e teatro
The paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular two Italian productions: Il Ballo, conceived and performed by Sonia Bergamasco, and the play Jezabel, adapted from the namesake novel by Maddalena Mazzocut-Mis and Sofia Pelczer, and directed by the...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2019-08-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/12059 |
| Summary: | The paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular two Italian productions: Il Ballo, conceived and performed by Sonia Bergamasco, and the play Jezabel, adapted from the namesake novel by Maddalena Mazzocut-Mis and Sofia Pelczer, and directed by the latter. The analysis of these performances allows also to highlight the inherent theatrical dimension of Némirovsky’s work, both on a thematic and formal level.
Némirovsky, representation, theatre, intermediality
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| ISSN: | 2039-9251 |