"Everything Created by God Is Pure". The Image of God in Emanuel Vigeland's Programme of Art in His Tomba Emmanuelle in Oslo

Quicquid Deus creavit purum est — Everything created by God is pure. The Norwegian artist Emanuel Vigeland (1875-1948) had these words inscribed above the entrance to his mausoleum, Tomba Emmanuelle, in Oslo. They may be interpreted as a type of creed, exemplified and illustrated by the paintings an...

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Bibliographic Details
Main Author: Maj-Brit Wadell
Format: Article
Language:English
Published: Donner Institute 1996-01-01
Series:Scripta Instituti Donneriani Aboensis
Subjects:
Art
Online Access:https://journal.fi/scripta/article/view/67237
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spelling doaj-78833f737cd142ccaa82a6acfcb1650e2020-11-25T01:04:37ZengDonner InstituteScripta Instituti Donneriani Aboensis0582-32262343-49371996-01-011610.30674/scripta.67237"Everything Created by God Is Pure". The Image of God in Emanuel Vigeland's Programme of Art in His Tomba Emmanuelle in OsloMaj-Brit Wadell0University of GöteborgQuicquid Deus creavit purum est — Everything created by God is pure. The Norwegian artist Emanuel Vigeland (1875-1948) had these words inscribed above the entrance to his mausoleum, Tomba Emmanuelle, in Oslo. They may be interpreted as a type of creed, exemplified and illustrated by the paintings and sculptures on the theme of Vita (life) which Vigeland had completed in the mausoleum from 1927 up until his death more than 20 years later. In this article, the author attempts to explain the nature of the image of God visualized by Emanuel Vigeland when he carried out the artistic decoration of the burial chamber-to-be. The author describes and interprets the large painting on the far wall as well as the accompanying text. To start with, she offers a brief description of the artist's background, with special attention to his upbringing and childhood environment, which can be seen as crucial in the development of his view of life. This presentation is based on many years' study of original sources concerning Emanuel Vigeland's life and works.https://journal.fi/scripta/article/view/67237ArtArtistsNorwayImage of GodIdols and imagesPietism
collection DOAJ
language English
format Article
sources DOAJ
author Maj-Brit Wadell
spellingShingle Maj-Brit Wadell
"Everything Created by God Is Pure". The Image of God in Emanuel Vigeland's Programme of Art in His Tomba Emmanuelle in Oslo
Scripta Instituti Donneriani Aboensis
Art
Artists
Norway
Image of God
Idols and images
Pietism
author_facet Maj-Brit Wadell
author_sort Maj-Brit Wadell
title "Everything Created by God Is Pure". The Image of God in Emanuel Vigeland's Programme of Art in His Tomba Emmanuelle in Oslo
title_short "Everything Created by God Is Pure". The Image of God in Emanuel Vigeland's Programme of Art in His Tomba Emmanuelle in Oslo
title_full "Everything Created by God Is Pure". The Image of God in Emanuel Vigeland's Programme of Art in His Tomba Emmanuelle in Oslo
title_fullStr "Everything Created by God Is Pure". The Image of God in Emanuel Vigeland's Programme of Art in His Tomba Emmanuelle in Oslo
title_full_unstemmed "Everything Created by God Is Pure". The Image of God in Emanuel Vigeland's Programme of Art in His Tomba Emmanuelle in Oslo
title_sort "everything created by god is pure". the image of god in emanuel vigeland's programme of art in his tomba emmanuelle in oslo
publisher Donner Institute
series Scripta Instituti Donneriani Aboensis
issn 0582-3226
2343-4937
publishDate 1996-01-01
description Quicquid Deus creavit purum est — Everything created by God is pure. The Norwegian artist Emanuel Vigeland (1875-1948) had these words inscribed above the entrance to his mausoleum, Tomba Emmanuelle, in Oslo. They may be interpreted as a type of creed, exemplified and illustrated by the paintings and sculptures on the theme of Vita (life) which Vigeland had completed in the mausoleum from 1927 up until his death more than 20 years later. In this article, the author attempts to explain the nature of the image of God visualized by Emanuel Vigeland when he carried out the artistic decoration of the burial chamber-to-be. The author describes and interprets the large painting on the far wall as well as the accompanying text. To start with, she offers a brief description of the artist's background, with special attention to his upbringing and childhood environment, which can be seen as crucial in the development of his view of life. This presentation is based on many years' study of original sources concerning Emanuel Vigeland's life and works.
topic Art
Artists
Norway
Image of God
Idols and images
Pietism
url https://journal.fi/scripta/article/view/67237
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