Media Faktura. On some Technical Conditions of Image-Making in Art

Media Faktura. On some Technical Conditions of Image-Making in Art

The text contributes to the discussion about the ontological status of the "image" by offering an analysis of the technical and material conditions of image-making. Departing from a close reading of French artist Julien Maire's installation "Memory Cone" (2009), the paper di...

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Bibliographic Details
Main Author: Broeckmann, Andreas
Format: Article
Language:English
Published: Intellect 2017-03-01
Series:Artifact
Subjects:
art
image theory
materiality
media specificity
technology
Online Access:https://www.ingentaconnect.com/contentone/intellect/ajdp/2017/00000004/00000001/art00009
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spelling doaj-78251dc7fffc40cfb2d0d6c45af96b112020-11-25T00:26:12ZengIntellect Artifact1749-34631749-34712017-03-0141https://doi.org/10.14434/artifact.v4i1.13125Media Faktura. On some Technical Conditions of Image-Making in ArtBroeckmann, Andreas0Leuphana University of LüneburgThe text contributes to the discussion about the ontological status of the "image" by offering an analysis of the technical and material conditions of image-making. Departing from a close reading of French artist Julien Maire's installation "Memory Cone" (2009), the paper discusses four distinct types of technical conditions which determine mediated images: physiological, physical, electronic, and algorithmic. It references art historical examples to argue that such technical conditions have always been fundamental to images, and suggests the interdependency between these medial layers.https://www.ingentaconnect.com/contentone/intellect/ajdp/2017/00000004/00000001/art00009artimage theorymaterialitymedia specificitytechnology
collection DOAJ
language English
format Article
sources DOAJ
author Broeckmann, Andreas
spellingShingle Broeckmann, Andreas
Media Faktura. On some Technical Conditions of Image-Making in Art
Artifact
art
image theory
materiality
media specificity
technology
author_facet Broeckmann, Andreas
author_sort Broeckmann, Andreas
title Media Faktura. On some Technical Conditions of Image-Making in Art
title_short Media Faktura. On some Technical Conditions of Image-Making in Art
title_full Media Faktura. On some Technical Conditions of Image-Making in Art
title_fullStr Media Faktura. On some Technical Conditions of Image-Making in Art
title_full_unstemmed Media Faktura. On some Technical Conditions of Image-Making in Art
title_sort media faktura. on some technical conditions of image-making in art
publisher Intellect
series Artifact
issn 1749-3463
1749-3471
publishDate 2017-03-01
description The text contributes to the discussion about the ontological status of the "image" by offering an analysis of the technical and material conditions of image-making. Departing from a close reading of French artist Julien Maire's installation "Memory Cone" (2009), the paper discusses four distinct types of technical conditions which determine mediated images: physiological, physical, electronic, and algorithmic. It references art historical examples to argue that such technical conditions have always been fundamental to images, and suggests the interdependency between these medial layers.
topic art
image theory
materiality
media specificity
technology
url https://www.ingentaconnect.com/contentone/intellect/ajdp/2017/00000004/00000001/art00009
work_keys_str_mv AT broeckmannandreas mediafakturaonsometechnicalconditionsofimagemakinginart
_version_ 1725345341552721920

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