The Marriage of Music and Narrative: Explorations in Art, Therapy, and Research

Music and narrative share similar goals – the expression of thoughts, feelings, emotions, and meanings. While narrative may be employed as an oral or literary form, as a research tool, or as a therapeutic technique, music, as an art form, is most often perceived as a performance art or compositional...

Full description

Bibliographic Details
Main Author: Lillian Eyre
Format: Article
Language:English
Published: GAMUT - Grieg Academy Music Therapy Research Centre (NORCE & University of Bergen) 2007-11-01
Series:Voices
Online Access:https://voices.no/index.php/voices/article/view/1738
id doaj-7717af90df6b4a75b057c7f0ad14b0c0
record_format Article
spelling doaj-7717af90df6b4a75b057c7f0ad14b0c02020-11-25T02:39:32ZengGAMUT - Grieg Academy Music Therapy Research Centre (NORCE & University of Bergen)Voices1504-16112007-11-017310.15845/voices.v7i3.549The Marriage of Music and Narrative: Explorations in Art, Therapy, and ResearchLillian EyreMusic and narrative share similar goals – the expression of thoughts, feelings, emotions, and meanings. While narrative may be employed as an oral or literary form, as a research tool, or as a therapeutic technique, music, as an art form, is most often perceived as a performance art or compositional act. Elements of both music and narrative have common ontological roots in human communication and expression. Over the past 50 years, both music and narrative have gained stature as therapeutic practices. The first two parts of this paper will focus on how music may be used to narrate events and to express personal meaning in both art and therapy. The third part will reveal the results of a pilot research study that explored the relationship between verbal narrative and music improvisation in the creation of an autobiography. The subjects (4 music therapists) narrated their autobiography, then improvised on each period (Narrative Improvisation Method – NIM), or performed the tasks in reverse order (Improvisation Narrative Method – INM). Musical and verbal data were analyzed to compare what was evoked in the music and in the narrative. Subjects were interviewed about their experiences in both methods and the interview data were analyzed to gain a deeper understanding of the process. Implications for the development of clinical and research techniques that integrate both verbal and music narration are discussed.https://voices.no/index.php/voices/article/view/1738
collection DOAJ
language English
format Article
sources DOAJ
author Lillian Eyre
spellingShingle Lillian Eyre
The Marriage of Music and Narrative: Explorations in Art, Therapy, and Research
Voices
author_facet Lillian Eyre
author_sort Lillian Eyre
title The Marriage of Music and Narrative: Explorations in Art, Therapy, and Research
title_short The Marriage of Music and Narrative: Explorations in Art, Therapy, and Research
title_full The Marriage of Music and Narrative: Explorations in Art, Therapy, and Research
title_fullStr The Marriage of Music and Narrative: Explorations in Art, Therapy, and Research
title_full_unstemmed The Marriage of Music and Narrative: Explorations in Art, Therapy, and Research
title_sort marriage of music and narrative: explorations in art, therapy, and research
publisher GAMUT - Grieg Academy Music Therapy Research Centre (NORCE & University of Bergen)
series Voices
issn 1504-1611
publishDate 2007-11-01
description Music and narrative share similar goals – the expression of thoughts, feelings, emotions, and meanings. While narrative may be employed as an oral or literary form, as a research tool, or as a therapeutic technique, music, as an art form, is most often perceived as a performance art or compositional act. Elements of both music and narrative have common ontological roots in human communication and expression. Over the past 50 years, both music and narrative have gained stature as therapeutic practices. The first two parts of this paper will focus on how music may be used to narrate events and to express personal meaning in both art and therapy. The third part will reveal the results of a pilot research study that explored the relationship between verbal narrative and music improvisation in the creation of an autobiography. The subjects (4 music therapists) narrated their autobiography, then improvised on each period (Narrative Improvisation Method – NIM), or performed the tasks in reverse order (Improvisation Narrative Method – INM). Musical and verbal data were analyzed to compare what was evoked in the music and in the narrative. Subjects were interviewed about their experiences in both methods and the interview data were analyzed to gain a deeper understanding of the process. Implications for the development of clinical and research techniques that integrate both verbal and music narration are discussed.
url https://voices.no/index.php/voices/article/view/1738
work_keys_str_mv AT lillianeyre themarriageofmusicandnarrativeexplorationsinarttherapyandresearch
AT lillianeyre marriageofmusicandnarrativeexplorationsinarttherapyandresearch
_version_ 1724785578539483136