Aussi vite que possible…
Virtuosity is at the heart of musical performance, but it has an ambivalent status. It is both the acme of art, and a dangerous temptation. Drawing on a comparison between different genres, I would like to suggest that beyond the classical opposition between body, entertainment, collective trance mu...
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Laboratoire d'Ethnologie et de Sociologie Comparative
2011-06-01
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| Series: | Ateliers d'Anthropologie |
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| Online Access: | http://journals.openedition.org/ateliers/8764 |
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Article |
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doaj-76b844f180a0465cb1b06792103295322020-11-25T03:15:35ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692011-06-013510.4000/ateliers.8764Aussi vite que possible…Antoine HennionVirtuosity is at the heart of musical performance, but it has an ambivalent status. It is both the acme of art, and a dangerous temptation. Drawing on a comparison between different genres, I would like to suggest that beyond the classical opposition between body, entertainment, collective trance music, on a side, and written music that focuses on the composition of a work and is largely developed by opposing virtuoso seduction, on the other, it is possible to give virtuosity its ability to express a musical truth by turning it into an aesthetic of performance: less a technical feat than a necessary positioning of the work in the fragility of a present that is always to be recovered.http://journals.openedition.org/ateliers/8764artworkbodymusicperformancepublictechnique |
| collection |
DOAJ |
| language |
fra |
| format |
Article |
| sources |
DOAJ |
| author |
Antoine Hennion |
| spellingShingle |
Antoine Hennion Aussi vite que possible… Ateliers d'Anthropologie artwork body music performance public technique |
| author_facet |
Antoine Hennion |
| author_sort |
Antoine Hennion |
| title |
Aussi vite que possible… |
| title_short |
Aussi vite que possible… |
| title_full |
Aussi vite que possible… |
| title_fullStr |
Aussi vite que possible… |
| title_full_unstemmed |
Aussi vite que possible… |
| title_sort |
aussi vite que possible… |
| publisher |
Laboratoire d'Ethnologie et de Sociologie Comparative |
| series |
Ateliers d'Anthropologie |
| issn |
2117-3869 |
| publishDate |
2011-06-01 |
| description |
Virtuosity is at the heart of musical performance, but it has an ambivalent status. It is both the acme of art, and a dangerous temptation. Drawing on a comparison between different genres, I would like to suggest that beyond the classical opposition between body, entertainment, collective trance music, on a side, and written music that focuses on the composition of a work and is largely developed by opposing virtuoso seduction, on the other, it is possible to give virtuosity its ability to express a musical truth by turning it into an aesthetic of performance: less a technical feat than a necessary positioning of the work in the fragility of a present that is always to be recovered. |
| topic |
artwork body music performance public technique |
| url |
http://journals.openedition.org/ateliers/8764 |
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AT antoinehennion aussivitequepossible |
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