The sculpture of the church of the holy virgin of the Studenica Monastery. Origin and models
The paper deals with the architectural sculpture of the twelfth century Church of the Holy Virgin at the Studenica Monastery. Its parallels with Italian Romanesque sculpture have long been identified in academic literature, and attention has been drawn to the influence of classical sculptur...
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Format: | Article |
Language: | deu |
Published: |
Faculty of Philosophy, Belgrade
2019-01-01
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Series: | Zograf |
Subjects: | |
Online Access: | http://www.doiserbia.nb.rs/img/doi/0350-1361/2019/0350-13611943089B.pdf |
Summary: | The paper deals with the architectural sculpture of the twelfth century Church
of the Holy Virgin at the Studenica Monastery. Its parallels with Italian
Romanesque sculpture have long been identified in academic literature, and
attention has been drawn to the influence of classical sculpture, mostly in
terms of style, which has been attributed to the impact of Byzantine art.
The paper demonstrates that all the motifs present in Studenica’s sculptural
decoration originate from Romanesque sculpture in the Italian regions of
Emilia Romagna and Apulia. Most of them rely on ancient Roman models and the
motif known as peopled or inhabited scrolls is dominant among them. |
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ISSN: | 0350-1361 2406-0755 |