Irritation, Impudence, Insight: A Critical Reading of Knut Hamsun's <i>På turné</i>

The article brings the critical reading of Knut Hamsun’s På turné – the collection of Hamsun’s three polemic lectures entitled: “Norsk litteratur”, “Psykologisk litteratur” and “Modelitteratur”. These texts make up Hamsun’s theoretical and literary manifesto (1891), which up to the present has rem...

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Main Author: Michał Kruszelnicki
Format: Article
Language:English
Published: Septentrio Academic Publishing 2010-10-01
Series:Nordlit: Tidsskrift i litteratur og kultur
Subjects:
Online Access:https://septentrio.uit.no/index.php/nordlit/article/view/1050
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spelling doaj-75e70f805b43471586686bcb95bd61822020-11-25T00:25:28ZengSeptentrio Academic PublishingNordlit: Tidsskrift i litteratur og kultur 0809-16681503-20862010-10-0114110.7557/13.1050991Irritation, Impudence, Insight: A Critical Reading of Knut Hamsun's <i>På turné</i>Michał Kruszelnicki0University of Lower Silesia, WroclawThe article brings the critical reading of Knut Hamsun’s På turné – the collection of Hamsun’s three polemic lectures entitled: “Norsk litteratur”, “Psykologisk litteratur” and “Modelitteratur”. These texts make up Hamsun’s theoretical and literary manifesto (1891), which up to the present has remained an important introduction to his early and most acclaimed work. In two first sections of the text I follow Hamsun’s scornful arguments against Norwegian realistic literature (as represented mainly by “the great four” writers: Bjørnson, Ibsen, Lie and Kielland) in an attempt to concisely present Hamsun’s reformatory plan according to which Norwegian literature should be freed from its entanglement in didacticism and social bias and redirected onto a path of a deeper psychology. The final part of the article presents a critical assessment of Hamsun’s endeavor. I believe some of Hamsun’s opinions in the matter of literature are still up-to-date and thoughtprovoking. These insights, however, have to be separated from Hamsun’s hasty generalizations concerning the work of Bjørnson, Lie, Kielland, and Ibsen which I defend against Hamsun’s malicious argumentation. In the final part of the paper På turné is assessed with regard to the ways of how Hamsun’s oeuvre has evolved in time. This approach enables one to grasp some of På turné paradoxes, e.g.: the discrepancy between Hamsun’s early literary stance (neo-romanticism and militant, anti-bourgeois views) and the shape his work assumed later on (didacticism, the tendency to morally judge his heroes, support for the vulgar ideology of fascism, etc.).https://septentrio.uit.no/index.php/nordlit/article/view/1050Knut Hamsun<i>På turné</i>critiqueNorwegian literature“the great four”realism
collection DOAJ
language English
format Article
sources DOAJ
author Michał Kruszelnicki
spellingShingle Michał Kruszelnicki
Irritation, Impudence, Insight: A Critical Reading of Knut Hamsun's <i>På turné</i>
Nordlit: Tidsskrift i litteratur og kultur
Knut Hamsun
<i>På turné</i>
critique
Norwegian literature
“the great four”
realism
author_facet Michał Kruszelnicki
author_sort Michał Kruszelnicki
title Irritation, Impudence, Insight: A Critical Reading of Knut Hamsun's <i>På turné</i>
title_short Irritation, Impudence, Insight: A Critical Reading of Knut Hamsun's <i>På turné</i>
title_full Irritation, Impudence, Insight: A Critical Reading of Knut Hamsun's <i>På turné</i>
title_fullStr Irritation, Impudence, Insight: A Critical Reading of Knut Hamsun's <i>På turné</i>
title_full_unstemmed Irritation, Impudence, Insight: A Critical Reading of Knut Hamsun's <i>På turné</i>
title_sort irritation, impudence, insight: a critical reading of knut hamsun's <i>på turné</i>
publisher Septentrio Academic Publishing
series Nordlit: Tidsskrift i litteratur og kultur
issn 0809-1668
1503-2086
publishDate 2010-10-01
description The article brings the critical reading of Knut Hamsun’s På turné – the collection of Hamsun’s three polemic lectures entitled: “Norsk litteratur”, “Psykologisk litteratur” and “Modelitteratur”. These texts make up Hamsun’s theoretical and literary manifesto (1891), which up to the present has remained an important introduction to his early and most acclaimed work. In two first sections of the text I follow Hamsun’s scornful arguments against Norwegian realistic literature (as represented mainly by “the great four” writers: Bjørnson, Ibsen, Lie and Kielland) in an attempt to concisely present Hamsun’s reformatory plan according to which Norwegian literature should be freed from its entanglement in didacticism and social bias and redirected onto a path of a deeper psychology. The final part of the article presents a critical assessment of Hamsun’s endeavor. I believe some of Hamsun’s opinions in the matter of literature are still up-to-date and thoughtprovoking. These insights, however, have to be separated from Hamsun’s hasty generalizations concerning the work of Bjørnson, Lie, Kielland, and Ibsen which I defend against Hamsun’s malicious argumentation. In the final part of the paper På turné is assessed with regard to the ways of how Hamsun’s oeuvre has evolved in time. This approach enables one to grasp some of På turné paradoxes, e.g.: the discrepancy between Hamsun’s early literary stance (neo-romanticism and militant, anti-bourgeois views) and the shape his work assumed later on (didacticism, the tendency to morally judge his heroes, support for the vulgar ideology of fascism, etc.).
topic Knut Hamsun
<i>På turné</i>
critique
Norwegian literature
“the great four”
realism
url https://septentrio.uit.no/index.php/nordlit/article/view/1050
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