Introduction
The sublime is a concept that has never ceased to attract and to fascinate scholars. In its classical formulation, it dates back to the eighteenth century, but some of the issues that characterize its origin – such as the border between representation and the unrepresentable, or between form and fo...
Main Authors: | Alice Barale, Alice Chirico, Claudio Rozzoni |
---|---|
Format: | Article |
Language: | English |
Published: |
Università degli Studi di Milano
2021-08-01
|
Series: | Itinera |
Subjects: | |
Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/16099 |
Similar Items
-
„Ein Kunstwerk enthält nicht die geringste Information“. Deleuze, Guattari und die zeitgenössische Kunst
by: Stephen Zepke
Published: (2017-12-01) -
‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary Art
by: Stephen Zepke
Published: (2017-12-01) -
The Sublime, Ugliness and Contemporary Art: A Kantian Perspective
by: Mojca Kuplen
Published: (2015-06-01) -
Introduction
by: Joël Thomas, et al.
Published: (2019-05-01) -
The Sublime for the Living: A Dialogue
by: Robert Clewis, et al.
Published: (2021-08-01)