Changing Histories: museums, sexuality and the future of the past

The dawning of the new Millennium coincided with intense change within museums, as new technologies and new approaches towards history and the past raised profound questions about the identity and direction of UK museums. The paper discusses these matters in terms of the construction and reception o...

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Main Author: Mark Liddiard
Format: Article
Language:English
Published: University of Leicester 2004-03-01
Series:Museum & Society
Online Access:https://journals.le.ac.uk/ojs1/index.php/mas/article/view/34
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spelling doaj-75a0c40b543447a0a0d4ac121726411f2020-11-25T00:04:03ZengUniversity of LeicesterMuseum & Society1479-83602004-03-0121152926Changing Histories: museums, sexuality and the future of the pastMark LiddiardThe dawning of the new Millennium coincided with intense change within museums, as new technologies and new approaches towards history and the past raised profound questions about the identity and direction of UK museums. The paper discusses these matters in terms of the construction and reception of museum exhibitions. The first part, which draws on 49 exploratory interviews with a sample of staff in UK museums, considers the processes determining both the choice of appropriate exhibition topics and the inclusion or exclusion of particular artefacts and perspectives. The second part, drawing on the core findings from 200 semi-structured interviews with visitors, argues that many museum visitors are highly active and discerning in their interpretation of exhibitions and museum-mediated histories. An implication of the findings is that the preferences of visitors may have a proactive influence upon the flavour and direction of museum accounts. The final part considers the implications of the data for contemporary museum practice and its context. It concentrates upon the increasing validity of sexuality as topic within UK museums and as way of illustrating the shifting milieu within which museums are currently working. Ultimately, museum accounts of the past may never be the same again.https://journals.le.ac.uk/ojs1/index.php/mas/article/view/34
collection DOAJ
language English
format Article
sources DOAJ
author Mark Liddiard
spellingShingle Mark Liddiard
Changing Histories: museums, sexuality and the future of the past
Museum & Society
author_facet Mark Liddiard
author_sort Mark Liddiard
title Changing Histories: museums, sexuality and the future of the past
title_short Changing Histories: museums, sexuality and the future of the past
title_full Changing Histories: museums, sexuality and the future of the past
title_fullStr Changing Histories: museums, sexuality and the future of the past
title_full_unstemmed Changing Histories: museums, sexuality and the future of the past
title_sort changing histories: museums, sexuality and the future of the past
publisher University of Leicester
series Museum & Society
issn 1479-8360
publishDate 2004-03-01
description The dawning of the new Millennium coincided with intense change within museums, as new technologies and new approaches towards history and the past raised profound questions about the identity and direction of UK museums. The paper discusses these matters in terms of the construction and reception of museum exhibitions. The first part, which draws on 49 exploratory interviews with a sample of staff in UK museums, considers the processes determining both the choice of appropriate exhibition topics and the inclusion or exclusion of particular artefacts and perspectives. The second part, drawing on the core findings from 200 semi-structured interviews with visitors, argues that many museum visitors are highly active and discerning in their interpretation of exhibitions and museum-mediated histories. An implication of the findings is that the preferences of visitors may have a proactive influence upon the flavour and direction of museum accounts. The final part considers the implications of the data for contemporary museum practice and its context. It concentrates upon the increasing validity of sexuality as topic within UK museums and as way of illustrating the shifting milieu within which museums are currently working. Ultimately, museum accounts of the past may never be the same again.
url https://journals.le.ac.uk/ojs1/index.php/mas/article/view/34
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