The Problem of Cinematic Imagination

The purpose of this paper is two-fold: to identify the problem of cinematic imagination, and then to propose a satisfactory solution. In part one I analyze the respective claims of Dominic McIver Lopes and Roger Scruton, both of whom question the scope of imagination in film, when compared to other...

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Main Author: Rafe McGregor
Format: Article
Language:English
Published: Contemporary Aesthetics, Inc. 2012-01-01
Series:Contemporary Aesthetics
Subjects:
Online Access:http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=629
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spelling doaj-753ce14313da45e294ee1aa941eb422e2020-11-24T21:51:23ZengContemporary Aesthetics, Inc.Contemporary Aesthetics1932-84782012-01-0110The Problem of Cinematic ImaginationRafe McGregorThe purpose of this paper is two-fold: to identify the problem of cinematic imagination, and then to propose a satisfactory solution. In part one I analyze the respective claims of Dominic McIver Lopes and Roger Scruton, both of whom question the scope of imagination in film, when compared to other art forms, on the basis of its perceptual character. In order to address these concerns I develop a hybrid of Gregory Currie’s model of cinematic imagination and Kendall Walton’s theory of make-believe in section two. Section three offers a reply to Lopes and Scruton, examining the problem in terms of the tension between the normativity of films as props and the employment of the creative imagination by audiences. I conclude with a solution that admits of two incompatible conceptions of cinematic imagination.http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=629creativityexperiencefantasyfilmimaginationpropsvisualization
collection DOAJ
language English
format Article
sources DOAJ
author Rafe McGregor
spellingShingle Rafe McGregor
The Problem of Cinematic Imagination
Contemporary Aesthetics
creativity
experience
fantasy
film
imagination
props
visualization
author_facet Rafe McGregor
author_sort Rafe McGregor
title The Problem of Cinematic Imagination
title_short The Problem of Cinematic Imagination
title_full The Problem of Cinematic Imagination
title_fullStr The Problem of Cinematic Imagination
title_full_unstemmed The Problem of Cinematic Imagination
title_sort problem of cinematic imagination
publisher Contemporary Aesthetics, Inc.
series Contemporary Aesthetics
issn 1932-8478
publishDate 2012-01-01
description The purpose of this paper is two-fold: to identify the problem of cinematic imagination, and then to propose a satisfactory solution. In part one I analyze the respective claims of Dominic McIver Lopes and Roger Scruton, both of whom question the scope of imagination in film, when compared to other art forms, on the basis of its perceptual character. In order to address these concerns I develop a hybrid of Gregory Currie’s model of cinematic imagination and Kendall Walton’s theory of make-believe in section two. Section three offers a reply to Lopes and Scruton, examining the problem in terms of the tension between the normativity of films as props and the employment of the creative imagination by audiences. I conclude with a solution that admits of two incompatible conceptions of cinematic imagination.
topic creativity
experience
fantasy
film
imagination
props
visualization
url http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=629
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