Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking

The article proves that Kant includes in his philosophy the concept of the game as an aesthetic principle. The game is identified with art as a free activity, which has no practical purpose and delivers the pleasure of beauty. Kant opens in creative game dual nature - a combination of reason and ima...

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Main Author:	Strelnikova Larisa Yurievna
Format:	Article
Language:	English
Published:	Sourthern Federal University 2015-09-01
Series:	Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki
Subjects:	imagination and reason dualism Kant’s aesthetics knowmen free game double world
Online Access:	http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/797/pdf_5

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spelling	doaj-74ee65a6ec094396afd7d8bd3b1f14f52020-11-25T03:46:32ZengSourthern Federal UniversityIzvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki1995-06402312-13432015-09-01201531926Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinkingStrelnikova Larisa Yurievna0Armavir linguistic social instituteThe article proves that Kant includes in his philosophy the concept of the game as an aesthetic principle. The game is identified with art as a free activity, which has no practical purpose and delivers the pleasure of beauty. Kant opens in creative game dual nature - a combination of reason and imagination, reflecting the duality of his philosophic system and giving rise to the idea double world in Romanticism and fragmented consciousness in contemporary literature. In modern works the writer assumes the functions of Magister Ludi, creating its own gaming procedure of the artistic space.http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/797/pdf_5imagination and reasondualismKant’s aestheticsknowmenfree gamedouble world
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Strelnikova Larisa Yurievna
spellingShingle	Strelnikova Larisa Yurievna Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki imagination and reason dualism Kant’s aesthetics knowmen free game double world
author_facet	Strelnikova Larisa Yurievna
author_sort	Strelnikova Larisa Yurievna
title	Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking
title_short	Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking
title_full	Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking
title_fullStr	Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking
title_full_unstemmed	Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking
title_sort	game meaning in kant’s aesthetic theory as the paradigm of european artistic thinking
publisher	Sourthern Federal University
series	Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki
issn	1995-0640 2312-1343
publishDate	2015-09-01
description	The article proves that Kant includes in his philosophy the concept of the game as an aesthetic principle. The game is identified with art as a free activity, which has no practical purpose and delivers the pleasure of beauty. Kant opens in creative game dual nature - a combination of reason and imagination, reflecting the duality of his philosophic system and giving rise to the idea double world in Romanticism and fragmented consciousness in contemporary literature. In modern works the writer assumes the functions of Magister Ludi, creating its own gaming procedure of the artistic space.
topic	imagination and reason dualism Kant’s aesthetics knowmen free game double world
url	http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/797/pdf_5
work_keys_str_mv	AT strelnikovalarisayurievna gamemeaninginkantsaesthetictheoryastheparadigmofeuropeanartisticthinking
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Game meaning in Kant’s aesthetic theory as the paradigm of European artistic thinking

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