Danzare la nazione all’epoca delle postcolonie: il caso del Kenya

This article deals with the representation of Kenya national and ethnic identities through dance. I alternate the academic writing with a more autobiographical account about my experience as an adoptive mother of a Kenyan son.I analyze the repertoire of dances presented at the Bomas of Kenya and the...

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Main Author: Susanne Franco
Format: Article
Language:Italian
Published: University of Bologna 2017-12-01
Series:Danza e Ricerca
Online Access:https://danzaericerca.unibo.it/article/view/7674
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spelling doaj-74e5f180884947c3bb6824a3adeeb8822020-11-25T01:27:01ZitaUniversity of BolognaDanza e Ricerca2036-15992017-12-018912715110.6092/issn.2036-1599/76746856Danzare la nazione all’epoca delle postcolonie: il caso del KenyaSusanne Franco0 This article deals with the representation of Kenya national and ethnic identities through dance. I alternate the academic writing with a more autobiographical account about my experience as an adoptive mother of a Kenyan son.I analyze the repertoire of dances presented at the Bomas of Kenya and the dance competitions held every year in the frame of two major cultural events, the Kenya Music Festival and the Kenya National Cultural Festival. To explore the state-led national heritage management, I offer also an overview of the social and political situation of Kenya, discussing the relationship between ethnic dances and national identity, and analyzing the archival strategies deployed by Bomas and the Festivals in the light of recent theoretical perspectives offered by heritage studies and dance studies.https://danzaericerca.unibo.it/article/view/7674
collection DOAJ
language Italian
format Article
sources DOAJ
author Susanne Franco
spellingShingle Susanne Franco
Danzare la nazione all’epoca delle postcolonie: il caso del Kenya
Danza e Ricerca
author_facet Susanne Franco
author_sort Susanne Franco
title Danzare la nazione all’epoca delle postcolonie: il caso del Kenya
title_short Danzare la nazione all’epoca delle postcolonie: il caso del Kenya
title_full Danzare la nazione all’epoca delle postcolonie: il caso del Kenya
title_fullStr Danzare la nazione all’epoca delle postcolonie: il caso del Kenya
title_full_unstemmed Danzare la nazione all’epoca delle postcolonie: il caso del Kenya
title_sort danzare la nazione all’epoca delle postcolonie: il caso del kenya
publisher University of Bologna
series Danza e Ricerca
issn 2036-1599
publishDate 2017-12-01
description This article deals with the representation of Kenya national and ethnic identities through dance. I alternate the academic writing with a more autobiographical account about my experience as an adoptive mother of a Kenyan son.I analyze the repertoire of dances presented at the Bomas of Kenya and the dance competitions held every year in the frame of two major cultural events, the Kenya Music Festival and the Kenya National Cultural Festival. To explore the state-led national heritage management, I offer also an overview of the social and political situation of Kenya, discussing the relationship between ethnic dances and national identity, and analyzing the archival strategies deployed by Bomas and the Festivals in the light of recent theoretical perspectives offered by heritage studies and dance studies.
url https://danzaericerca.unibo.it/article/view/7674
work_keys_str_mv AT susannefranco danzarelanazioneallepocadellepostcolonieilcasodelkenya
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