The bust of Francesco II Gonzaga: from digital documentation to 3D printing

Geomatics technics and methods are now able to provide a great contribution to the Cultural Heritage (CH) processes, being adaptable to different purposes: management, diagnosis, restoration, protection, study and research, communication, formation and fruition of the Cultural Heritage. This experim...

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Main Authors: A. Adami, C. Balletti, F. Fassi, L. Fregonese, F. Guerra, L. Taffurelli, P. Vernier
Format: Article
Language:English
Published: Copernicus Publications 2015-08-01
Series:ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences
Online Access:http://www.isprs-ann-photogramm-remote-sens-spatial-inf-sci.net/II-5-W3/9/2015/isprsannals-II-5-W3-9-2015.pdf
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spelling doaj-743907499de14df4aac491c19688c0002020-11-25T00:38:15ZengCopernicus PublicationsISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences2194-90422194-90502015-08-01II-5/W391510.5194/isprsannals-II-5-W3-9-2015The bust of Francesco II Gonzaga: from digital documentation to 3D printingA. Adami0C. Balletti1F. Fassi2L. Fregonese3F. Guerra4L. Taffurelli5P. Vernier6Politecnico of Milan, 3D Survey Group, p.za L.da Vinci 32, Milan, ItalyUniversità Iuav of Venezia, Lab Systems, Photogrammetry Lab Santa Croce 191, Venice, ItalyPolitecnico of Milan, 3D Survey Group, p.za L.da Vinci 32, Milan, ItalyPolitecnico of Milan, 3D Survey Group, p.za L.da Vinci 32, Milan, ItalyUniversità Iuav of Venezia, Lab Systems, Photogrammetry Lab Santa Croce 191, Venice, ItalyPolitecnico of Milan, 3D Survey Group, p.za L.da Vinci 32, Milan, ItalyUniversità Iuav of Venezia, Lab Systems, Photogrammetry Lab Santa Croce 191, Venice, ItalyGeomatics technics and methods are now able to provide a great contribution to the Cultural Heritage (CH) processes, being adaptable to different purposes: management, diagnosis, restoration, protection, study and research, communication, formation and fruition of the Cultural Heritage. This experimentation was done with an eye to encouraging and promoting the development of principles and good practices for recording, documentation and information management of cultural heritage. <br><br> This research focuses on the documentation path of a cultural asset, in particular a Renaissance statue, aimed to achieve a three dimensional model useful for many digital applications and for solid reproduction. The digital copy can be used in many contexts and represents an efficient tool to preserve and promote CH. It can be included in virtual museum archives and catalogues, shared on network with cultural operators and users, and it permits the contextualization of the asset in its artistic and historical background. Moreover, the possibility to obtain a hard copy, reproduced through 3D printing, allows to reach new opportunities of interaction with CH. <br><br> In this article, two techniques for the digitization of the terracotta bust of Francesco II Gonzaga, in the City Museum of Mantua, are described: the triangulation scanner and dense image matching photogrammetry. As well as the description of the acquisition and the elaborations, other aspects are taken into account: the characteristics of the object, the place for the acquisition, the ultimate goal and the economic availability. There are also highlighted the optimization pipeline to get the correct three-dimensional models and a 3D printed copy. A separate section discusses the comparison of the realized model to identify the positive and negative aspects of each adopted application.http://www.isprs-ann-photogramm-remote-sens-spatial-inf-sci.net/II-5-W3/9/2015/isprsannals-II-5-W3-9-2015.pdf
collection DOAJ
language English
format Article
sources DOAJ
author A. Adami
C. Balletti
F. Fassi
L. Fregonese
F. Guerra
L. Taffurelli
P. Vernier
spellingShingle A. Adami
C. Balletti
F. Fassi
L. Fregonese
F. Guerra
L. Taffurelli
P. Vernier
The bust of Francesco II Gonzaga: from digital documentation to 3D printing
ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences
author_facet A. Adami
C. Balletti
F. Fassi
L. Fregonese
F. Guerra
L. Taffurelli
P. Vernier
author_sort A. Adami
title The bust of Francesco II Gonzaga: from digital documentation to 3D printing
title_short The bust of Francesco II Gonzaga: from digital documentation to 3D printing
title_full The bust of Francesco II Gonzaga: from digital documentation to 3D printing
title_fullStr The bust of Francesco II Gonzaga: from digital documentation to 3D printing
title_full_unstemmed The bust of Francesco II Gonzaga: from digital documentation to 3D printing
title_sort bust of francesco ii gonzaga: from digital documentation to 3d printing
publisher Copernicus Publications
series ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences
issn 2194-9042
2194-9050
publishDate 2015-08-01
description Geomatics technics and methods are now able to provide a great contribution to the Cultural Heritage (CH) processes, being adaptable to different purposes: management, diagnosis, restoration, protection, study and research, communication, formation and fruition of the Cultural Heritage. This experimentation was done with an eye to encouraging and promoting the development of principles and good practices for recording, documentation and information management of cultural heritage. <br><br> This research focuses on the documentation path of a cultural asset, in particular a Renaissance statue, aimed to achieve a three dimensional model useful for many digital applications and for solid reproduction. The digital copy can be used in many contexts and represents an efficient tool to preserve and promote CH. It can be included in virtual museum archives and catalogues, shared on network with cultural operators and users, and it permits the contextualization of the asset in its artistic and historical background. Moreover, the possibility to obtain a hard copy, reproduced through 3D printing, allows to reach new opportunities of interaction with CH. <br><br> In this article, two techniques for the digitization of the terracotta bust of Francesco II Gonzaga, in the City Museum of Mantua, are described: the triangulation scanner and dense image matching photogrammetry. As well as the description of the acquisition and the elaborations, other aspects are taken into account: the characteristics of the object, the place for the acquisition, the ultimate goal and the economic availability. There are also highlighted the optimization pipeline to get the correct three-dimensional models and a 3D printed copy. A separate section discusses the comparison of the realized model to identify the positive and negative aspects of each adopted application.
url http://www.isprs-ann-photogramm-remote-sens-spatial-inf-sci.net/II-5-W3/9/2015/isprsannals-II-5-W3-9-2015.pdf
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