Aktrisens böcker: Beata Charlotta Ekermans bibliotek 1790

In this article I discuss a collection of books that belonged to Beata Charlotta (Charlotte) Ekerman (1758-1790), an actress at the Royal Theatre in Stockholm. Ekerman became the mistress of Prince Charles, brother of Gustav III. The prince dismissed her for another woman and she was suspected of in...

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Main Author: Margareta Björkman
Format: Article
Language:Danish
Published: Septentrio Academic Publishing 2011-10-01
Series:Sjuttonhundratal
Subjects:
Online Access:https://septentrio.uit.no/index.php/1700/article/view/2388
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spelling doaj-7424ed33417a47d0b56424c3c93647fc2020-11-25T01:14:45ZdanSeptentrio Academic PublishingSjuttonhundratal1652-47722001-98662011-10-01810.7557/4.2388Aktrisens böcker: Beata Charlotta Ekermans bibliotek 1790Margareta BjörkmanIn this article I discuss a collection of books that belonged to Beata Charlotta (Charlotte) Ekerman (1758-1790), an actress at the Royal Theatre in Stockholm. Ekerman became the mistress of Prince Charles, brother of Gustav III. The prince dismissed her for another woman and she was suspected of infanticide and slander against the king. The governor of Stockholm, Carl Sparre, helped her to avoid the Spinning House, but she was exiled and lived in Paris between 1782 and 1786. In 1784 she travelled to Italy, where she had been invited by a Neapolitan duke. Thanks to Ekerman's letters to Sparre it is possible to follow her journey from the papal court in Rome to the royal court at Naples. She spent her last years in Stockholm, now mistress of the Dutch ambassador and accused of espionage. The aim of this article is to study the interrelation between the owner and her books, on the basis of a list of Ekerman's books included in the estate inventory drawn up after her death. A selection of these books is discussed with particular regard to language and genre. The collection, described in the inventory as consisting mainly of theatrical pieces and French novels, turns out to have had a wider range, thus revealing its owner's ambition to transgress the stereotypical image of the eighteenth-century woman.https://septentrio.uit.no/index.php/1700/article/view/2388Beata Charlotta Ekermantheatrebook history
collection DOAJ
language Danish
format Article
sources DOAJ
author Margareta Björkman
spellingShingle Margareta Björkman
Aktrisens böcker: Beata Charlotta Ekermans bibliotek 1790
Sjuttonhundratal
Beata Charlotta Ekerman
theatre
book history
author_facet Margareta Björkman
author_sort Margareta Björkman
title Aktrisens böcker: Beata Charlotta Ekermans bibliotek 1790
title_short Aktrisens böcker: Beata Charlotta Ekermans bibliotek 1790
title_full Aktrisens böcker: Beata Charlotta Ekermans bibliotek 1790
title_fullStr Aktrisens böcker: Beata Charlotta Ekermans bibliotek 1790
title_full_unstemmed Aktrisens böcker: Beata Charlotta Ekermans bibliotek 1790
title_sort aktrisens böcker: beata charlotta ekermans bibliotek 1790
publisher Septentrio Academic Publishing
series Sjuttonhundratal
issn 1652-4772
2001-9866
publishDate 2011-10-01
description In this article I discuss a collection of books that belonged to Beata Charlotta (Charlotte) Ekerman (1758-1790), an actress at the Royal Theatre in Stockholm. Ekerman became the mistress of Prince Charles, brother of Gustav III. The prince dismissed her for another woman and she was suspected of infanticide and slander against the king. The governor of Stockholm, Carl Sparre, helped her to avoid the Spinning House, but she was exiled and lived in Paris between 1782 and 1786. In 1784 she travelled to Italy, where she had been invited by a Neapolitan duke. Thanks to Ekerman's letters to Sparre it is possible to follow her journey from the papal court in Rome to the royal court at Naples. She spent her last years in Stockholm, now mistress of the Dutch ambassador and accused of espionage. The aim of this article is to study the interrelation between the owner and her books, on the basis of a list of Ekerman's books included in the estate inventory drawn up after her death. A selection of these books is discussed with particular regard to language and genre. The collection, described in the inventory as consisting mainly of theatrical pieces and French novels, turns out to have had a wider range, thus revealing its owner's ambition to transgress the stereotypical image of the eighteenth-century woman.
topic Beata Charlotta Ekerman
theatre
book history
url https://septentrio.uit.no/index.php/1700/article/view/2388
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