The “Bundle” in Edward Bond’s Plays, an Avatar of the Unspeakable “Thing”

As suggested by Stéphane Lojkine, works of art chiefly operate through the scopic impressions they make on spectators’ minds. While opening out on to the mimesis, such artefacts as the “screen” and the “scene” actually unveil what they are designed to conceal, i.e. the haunting, unspeakable, lost “t...

Full description

Bibliographic Details
Main Author: Claude Gourg
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2009-03-01
Series:Études Britanniques Contemporaines
Online Access:http://journals.openedition.org/ebc/5990

Similar Items