The “Bundle” in Edward Bond’s Plays, an Avatar of the Unspeakable “Thing”
As suggested by Stéphane Lojkine, works of art chiefly operate through the scopic impressions they make on spectators’ minds. While opening out on to the mimesis, such artefacts as the “screen” and the “scene” actually unveil what they are designed to conceal, i.e. the haunting, unspeakable, lost “t...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2009-03-01
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| Series: | Études Britanniques Contemporaines |
| Online Access: | http://journals.openedition.org/ebc/5990 |