“It’s Showtime, Synergy!”: Musical Sequences in Jem and the Holograms

This article discusses how the musical sequences (including concerts, rehearsals, and music videos) in Jem and the Holograms (Thompson and Campbell, 2015) depart from the conventions of the rest of the comic. Artist Sophie Campbell uses paneling techniques including bleeds and aspect-to-aspect closu...

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Bibliographic Details
Main Author: Susan Bond
Format: Article
Language:English
Published: Open Library of Humanities 2020-06-01
Series:The Comics Grid: Journal of Comics Scholarship
Subjects:
Online Access:https://www.comicsgrid.com/article/id/3599/
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spelling doaj-73b93e5830ee47d995626614a7e713502021-06-17T14:31:07ZengOpen Library of HumanitiesThe Comics Grid: Journal of Comics Scholarship2048-07922020-06-0110110.16995/cg.144“It’s Showtime, Synergy!”: Musical Sequences in Jem and the HologramsSusan Bond0 This article discusses how the musical sequences (including concerts, rehearsals, and music videos) in Jem and the Holograms (Thompson and Campbell, 2015) depart from the conventions of the rest of the comic. Artist Sophie Campbell uses paneling techniques including bleeds and aspect-to-aspect closure to give these sequences a disorienting quality of occurring out of the regular time scheme of the comic. She presents the music as a physical element in the scenes: her song clouds float in the foreground of the image, similar to speech balloons but belonging to the realm of art instead of text. These song clouds help guide the reader through the scenes, by both separating the images into their constituent parts, and guiding the reader as to the order those parts should be read in.https://www.comicsgrid.com/article/id/3599/aspect-to-aspect closurecomic panelsJem and the Hologramsmusic in comicsSophie Campbell
collection DOAJ
language English
format Article
sources DOAJ
author Susan Bond
spellingShingle Susan Bond
“It’s Showtime, Synergy!”: Musical Sequences in Jem and the Holograms
The Comics Grid: Journal of Comics Scholarship
aspect-to-aspect closure
comic panels
Jem and the Holograms
music in comics
Sophie Campbell
author_facet Susan Bond
author_sort Susan Bond
title “It’s Showtime, Synergy!”: Musical Sequences in Jem and the Holograms
title_short “It’s Showtime, Synergy!”: Musical Sequences in Jem and the Holograms
title_full “It’s Showtime, Synergy!”: Musical Sequences in Jem and the Holograms
title_fullStr “It’s Showtime, Synergy!”: Musical Sequences in Jem and the Holograms
title_full_unstemmed “It’s Showtime, Synergy!”: Musical Sequences in Jem and the Holograms
title_sort “it’s showtime, synergy!”: musical sequences in jem and the holograms
publisher Open Library of Humanities
series The Comics Grid: Journal of Comics Scholarship
issn 2048-0792
publishDate 2020-06-01
description This article discusses how the musical sequences (including concerts, rehearsals, and music videos) in Jem and the Holograms (Thompson and Campbell, 2015) depart from the conventions of the rest of the comic. Artist Sophie Campbell uses paneling techniques including bleeds and aspect-to-aspect closure to give these sequences a disorienting quality of occurring out of the regular time scheme of the comic. She presents the music as a physical element in the scenes: her song clouds float in the foreground of the image, similar to speech balloons but belonging to the realm of art instead of text. These song clouds help guide the reader through the scenes, by both separating the images into their constituent parts, and guiding the reader as to the order those parts should be read in.
topic aspect-to-aspect closure
comic panels
Jem and the Holograms
music in comics
Sophie Campbell
url https://www.comicsgrid.com/article/id/3599/
work_keys_str_mv AT susanbond itsshowtimesynergymusicalsequencesinjemandtheholograms
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