De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre

“Jewish Money Power”, the “Wandering Jew” and the “Blood Libel” (ritual murder) myths are the three pillars of the anti-Semitic iconography which developed during the Middle Ages. Throughout the centuries, their evolution has continuously reflected the beliefs and tastes of the various societies whi...

Full description

Bibliographic Details
Main Author: Lucienne Germain
Format: Article
Language:English
Published: Maison de la Recherche en Sciences Humaines 2003-01-01
Series:Revue LISA
Online Access:http://journals.openedition.org/lisa/3120
id doaj-738780741ea04b94b5d822ba0bd410df
record_format Article
spelling doaj-738780741ea04b94b5d822ba0bd410df2021-10-02T09:34:20ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532003-01-01758410.4000/lisa.3120De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en AngleterreLucienne Germain“Jewish Money Power”, the “Wandering Jew” and the “Blood Libel” (ritual murder) myths are the three pillars of the anti-Semitic iconography which developed during the Middle Ages. Throughout the centuries, their evolution has continuously reflected the beliefs and tastes of the various societies which have used them to stereotype Jewish otherness. Far from being exhaustive, the intent of this article, based on a limited number of caricatures, is to stress the changes which took place over the centuries in numerous and varied portrayals of the “Jewish Money Power”: from the Jew in his capacity as money lender to the Jew as stockbroker, to more contemporary images of the Jewish banker and international financier, monopolising high finance, insinuating himself in all fields and plotting to dominate and destroy the Christian world. Having explained the various transformations in context, this analysis of selected Jewish graphic portrayals will also highlight the constant use of physical features and characteristics that have contributed to creating a misleading image of the Jews and encouraged anti-Semitism.http://journals.openedition.org/lisa/3120
collection DOAJ
language English
format Article
sources DOAJ
author Lucienne Germain
spellingShingle Lucienne Germain
De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre
Revue LISA
author_facet Lucienne Germain
author_sort Lucienne Germain
title De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre
title_short De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre
title_full De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre
title_fullStr De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre
title_full_unstemmed De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre
title_sort de l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en angleterre
publisher Maison de la Recherche en Sciences Humaines
series Revue LISA
issn 1762-6153
publishDate 2003-01-01
description “Jewish Money Power”, the “Wandering Jew” and the “Blood Libel” (ritual murder) myths are the three pillars of the anti-Semitic iconography which developed during the Middle Ages. Throughout the centuries, their evolution has continuously reflected the beliefs and tastes of the various societies which have used them to stereotype Jewish otherness. Far from being exhaustive, the intent of this article, based on a limited number of caricatures, is to stress the changes which took place over the centuries in numerous and varied portrayals of the “Jewish Money Power”: from the Jew in his capacity as money lender to the Jew as stockbroker, to more contemporary images of the Jewish banker and international financier, monopolising high finance, insinuating himself in all fields and plotting to dominate and destroy the Christian world. Having explained the various transformations in context, this analysis of selected Jewish graphic portrayals will also highlight the constant use of physical features and characteristics that have contributed to creating a misleading image of the Jews and encouraged anti-Semitism.
url http://journals.openedition.org/lisa/3120
work_keys_str_mv AT luciennegermain delusureaupouvoirdelargentlesmetamorphosesdunmytheantijuifatraverslacaricatureenangleterre
_version_ 1716856612999659520