De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre
“Jewish Money Power”, the “Wandering Jew” and the “Blood Libel” (ritual murder) myths are the three pillars of the anti-Semitic iconography which developed during the Middle Ages. Throughout the centuries, their evolution has continuously reflected the beliefs and tastes of the various societies whi...
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Maison de la Recherche en Sciences Humaines
2003-01-01
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Series: | Revue LISA |
Online Access: | http://journals.openedition.org/lisa/3120 |
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doaj-738780741ea04b94b5d822ba0bd410df2021-10-02T09:34:20ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532003-01-01758410.4000/lisa.3120De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en AngleterreLucienne Germain“Jewish Money Power”, the “Wandering Jew” and the “Blood Libel” (ritual murder) myths are the three pillars of the anti-Semitic iconography which developed during the Middle Ages. Throughout the centuries, their evolution has continuously reflected the beliefs and tastes of the various societies which have used them to stereotype Jewish otherness. Far from being exhaustive, the intent of this article, based on a limited number of caricatures, is to stress the changes which took place over the centuries in numerous and varied portrayals of the “Jewish Money Power”: from the Jew in his capacity as money lender to the Jew as stockbroker, to more contemporary images of the Jewish banker and international financier, monopolising high finance, insinuating himself in all fields and plotting to dominate and destroy the Christian world. Having explained the various transformations in context, this analysis of selected Jewish graphic portrayals will also highlight the constant use of physical features and characteristics that have contributed to creating a misleading image of the Jews and encouraged anti-Semitism.http://journals.openedition.org/lisa/3120 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Lucienne Germain |
spellingShingle |
Lucienne Germain De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre Revue LISA |
author_facet |
Lucienne Germain |
author_sort |
Lucienne Germain |
title |
De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre |
title_short |
De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre |
title_full |
De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre |
title_fullStr |
De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre |
title_full_unstemmed |
De l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en Angleterre |
title_sort |
de l’usure au pouvoir de l’argent : les métamorphoses d’un mythe antijuif à travers la caricature en angleterre |
publisher |
Maison de la Recherche en Sciences Humaines |
series |
Revue LISA |
issn |
1762-6153 |
publishDate |
2003-01-01 |
description |
“Jewish Money Power”, the “Wandering Jew” and the “Blood Libel” (ritual murder) myths are the three pillars of the anti-Semitic iconography which developed during the Middle Ages. Throughout the centuries, their evolution has continuously reflected the beliefs and tastes of the various societies which have used them to stereotype Jewish otherness. Far from being exhaustive, the intent of this article, based on a limited number of caricatures, is to stress the changes which took place over the centuries in numerous and varied portrayals of the “Jewish Money Power”: from the Jew in his capacity as money lender to the Jew as stockbroker, to more contemporary images of the Jewish banker and international financier, monopolising high finance, insinuating himself in all fields and plotting to dominate and destroy the Christian world. Having explained the various transformations in context, this analysis of selected Jewish graphic portrayals will also highlight the constant use of physical features and characteristics that have contributed to creating a misleading image of the Jews and encouraged anti-Semitism. |
url |
http://journals.openedition.org/lisa/3120 |
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