Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv
Recently, some TV series turned their nostalgic gaze to one of the least reassuring parts of the 80s: the Cold War between the USA and the USSR. “Stranger Things” third season (Netflix 2019), the success of “Chernobyl” (HBO 2019), along with the cult status reached by “The Americans” (Fox 2013-2018)...
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Mimesis Edizioni, Milano
2020-02-01
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Series: | Im@go. A Journal of the Social Imaginary |
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doaj-73347f3f9d4d4397bedc9189506599852020-11-25T00:34:40ZengMimesis Edizioni, MilanoIm@go. A Journal of the Social Imaginary2281-81382281-81382020-02-010142062181916Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tvSabino Di Chio0Emmanuele Quarta1<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p><span>Dipartimento di Scienze della Formazione, Psicologia, Comunicazione| Università degli Studi di Bari “Aldo Moro”</span></p> </div> </div> </div> </div><div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p><span>Dipartimento di Scienze Politiche| Università degli Studi di Bari “Aldo Moro”</span></p> </div> </div> </div> </div>Recently, some TV series turned their nostalgic gaze to one of the least reassuring parts of the 80s: the Cold War between the USA and the USSR. “Stranger Things” third season (Netflix 2019), the success of “Chernobyl” (HBO 2019), along with the cult status reached by “The Americans” (Fox 2013-2018), brought back to life the collective image of geopolitical struggles, the existence of an enemy, as well as the dialectics between opposed systems of thought. This paper discusses the success of the three series in the light of the socio-political debate on Cold War nostalgia. Through the comeback of the Soviet Evil Empire on our screens, then, contemporary TV series seem to try and recall the underlying reasons for the contemporary neoliberal order. Lastly, we read these narrative devices as a possible form of repoliticisation of the collective imagination. The resurrection of an enemy from the past forces the audience to deal with the uncertainties, inequalities, and the ideological drifts of an actual socio-political context “with no alternatives”.http://cab.unime.it/journals/index.php/IMAGO/article/view/2405 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Sabino Di Chio Emmanuele Quarta |
spellingShingle |
Sabino Di Chio Emmanuele Quarta Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv Im@go. A Journal of the Social Imaginary |
author_facet |
Sabino Di Chio Emmanuele Quarta |
author_sort |
Sabino Di Chio |
title |
Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv |
title_short |
Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv |
title_full |
Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv |
title_fullStr |
Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv |
title_full_unstemmed |
Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv |
title_sort |
nostalgia del nemico. il ritorno della guerra fredda nelle serie tv |
publisher |
Mimesis Edizioni, Milano |
series |
Im@go. A Journal of the Social Imaginary |
issn |
2281-8138 2281-8138 |
publishDate |
2020-02-01 |
description |
Recently, some TV series turned their nostalgic gaze to one of the least reassuring parts of the 80s: the Cold War between the USA and the USSR. “Stranger Things” third season (Netflix 2019), the success of “Chernobyl” (HBO 2019), along with the cult status reached by “The Americans” (Fox 2013-2018), brought back to life the collective image of geopolitical struggles, the existence of an enemy, as well as the dialectics between opposed systems of thought. This paper discusses the success of the three series in the light of the socio-political debate on Cold War nostalgia. Through the comeback of the Soviet Evil Empire on our screens, then, contemporary TV series seem to try and recall the underlying reasons for the contemporary neoliberal order. Lastly, we read these narrative devices as a possible form of repoliticisation of the collective imagination. The resurrection of an enemy from the past forces the audience to deal with the uncertainties, inequalities, and the ideological drifts of an actual socio-political context “with no alternatives”. |
url |
http://cab.unime.it/journals/index.php/IMAGO/article/view/2405 |
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AT sabinodichio nostalgiadelnemicoilritornodellaguerrafreddanelleserietv AT emmanuelequarta nostalgiadelnemicoilritornodellaguerrafreddanelleserietv |
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