Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv

Recently, some TV series turned their nostalgic gaze to one of the least reassuring parts of the 80s: the Cold War between the USA and the USSR. “Stranger Things” third season (Netflix 2019), the success of “Chernobyl” (HBO 2019), along with the cult status reached by “The Americans” (Fox 2013-2018)...

Full description

Bibliographic Details
Main Authors: Sabino Di Chio, Emmanuele Quarta
Format: Article
Language:English
Published: Mimesis Edizioni, Milano 2020-02-01
Series:Im@go. A Journal of the Social Imaginary
Online Access:http://cab.unime.it/journals/index.php/IMAGO/article/view/2405
id doaj-73347f3f9d4d4397bedc918950659985
record_format Article
spelling doaj-73347f3f9d4d4397bedc9189506599852020-11-25T00:34:40ZengMimesis Edizioni, MilanoIm@go. A Journal of the Social Imaginary2281-81382281-81382020-02-010142062181916Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tvSabino Di Chio0Emmanuele Quarta1<div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p><span>Dipartimento di Scienze della Formazione, Psicologia, Comunicazione| Università degli Studi di Bari “Aldo Moro”</span></p> </div> </div> </div> </div><div class="page" title="Page 1"> <div class="section"> <div class="layoutArea"> <div class="column"> <p><span>Dipartimento di Scienze Politiche| Università degli Studi di Bari “Aldo Moro”</span></p> </div> </div> </div> </div>Recently, some TV series turned their nostalgic gaze to one of the least reassuring parts of the 80s: the Cold War between the USA and the USSR. “Stranger Things” third season (Netflix 2019), the success of “Chernobyl” (HBO 2019), along with the cult status reached by “The Americans” (Fox 2013-2018), brought back to life the collective image of geopolitical struggles, the existence of an enemy, as well as the dialectics between opposed systems of thought. This paper discusses the success of the three series in the light of the socio-political debate on Cold War nostalgia. Through the comeback of the Soviet Evil Empire on our screens, then, contemporary TV series seem to try and recall the underlying reasons for the contemporary neoliberal order. Lastly, we read these narrative devices as a possible form of repoliticisation of the collective imagination. The resurrection of an enemy from the past forces the audience to deal with the uncertainties, inequalities, and the ideological drifts of an actual socio-political context “with no alternatives”.http://cab.unime.it/journals/index.php/IMAGO/article/view/2405
collection DOAJ
language English
format Article
sources DOAJ
author Sabino Di Chio
Emmanuele Quarta
spellingShingle Sabino Di Chio
Emmanuele Quarta
Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv
Im@go. A Journal of the Social Imaginary
author_facet Sabino Di Chio
Emmanuele Quarta
author_sort Sabino Di Chio
title Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv
title_short Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv
title_full Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv
title_fullStr Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv
title_full_unstemmed Nostalgia del nemico. Il ritorno della Guerra fredda nelle serie tv
title_sort nostalgia del nemico. il ritorno della guerra fredda nelle serie tv
publisher Mimesis Edizioni, Milano
series Im@go. A Journal of the Social Imaginary
issn 2281-8138
2281-8138
publishDate 2020-02-01
description Recently, some TV series turned their nostalgic gaze to one of the least reassuring parts of the 80s: the Cold War between the USA and the USSR. “Stranger Things” third season (Netflix 2019), the success of “Chernobyl” (HBO 2019), along with the cult status reached by “The Americans” (Fox 2013-2018), brought back to life the collective image of geopolitical struggles, the existence of an enemy, as well as the dialectics between opposed systems of thought. This paper discusses the success of the three series in the light of the socio-political debate on Cold War nostalgia. Through the comeback of the Soviet Evil Empire on our screens, then, contemporary TV series seem to try and recall the underlying reasons for the contemporary neoliberal order. Lastly, we read these narrative devices as a possible form of repoliticisation of the collective imagination. The resurrection of an enemy from the past forces the audience to deal with the uncertainties, inequalities, and the ideological drifts of an actual socio-political context “with no alternatives”.
url http://cab.unime.it/journals/index.php/IMAGO/article/view/2405
work_keys_str_mv AT sabinodichio nostalgiadelnemicoilritornodellaguerrafreddanelleserietv
AT emmanuelequarta nostalgiadelnemicoilritornodellaguerrafreddanelleserietv
_version_ 1725312243075121152