Elements of Lyrical Language in Taqazzols (Sonnets) of Farrukhi Sistani

Farrukhi Sistani is one of the first Persian poets whose Taqazzols (Sonnets) are broadly full of emotional words. In this article –written in document mining style– the elements of lyrical language in Taqazzols of this poet has been described and analyzed. A simple syntactic structure, context valid...

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Main Author: Omid Zakeri kish
Format: Article
Language:fas
Published: University of Isfahan 2019-06-01
Series:Textual Criticism of Persian Literature
Subjects:
Online Access:http://rpll.ui.ac.ir/article_23256_da6fca8d175e340617c8ad138679912b.pdf
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spelling doaj-732797cbce464bcb9ca40fe18606e6cb2020-11-25T03:05:36ZfasUniversity of IsfahanTextual Criticism of Persian Literature2008-54862008-54862019-06-011129510910.22108/rpll.2018.112759.137223256Elements of Lyrical Language in Taqazzols (Sonnets) of Farrukhi SistaniOmid Zakeri kish0Assistant Professor, Department of Persian language and literature, Faculty of Humanities, University of Isfahan, Isfahan, IranFarrukhi Sistani is one of the first Persian poets whose Taqazzols (Sonnets) are broadly full of emotional words. In this article –written in document mining style– the elements of lyrical language in Taqazzols of this poet has been described and analyzed. A simple syntactic structure, context validity of several Taqazzols, the application of proverbs, and having no complex intertextuality relation, have led to a simple language through which, the addressor has transmitted, explicitly, his/her emotions and feelings to the addressee. On the other hand, the addressor, having addressed the message to himself/herself, has given an emotive function to the language; this trait has been pointed out by some kind of lyrical narrative and internal monologue. In the context of his Taqqazols, the poet has also used different types of foregrounding for the sake of lyrical language. And through all these characteristics, emotional states of the addressor can be very well observed. The poet has also strengthened text music through various parallelism (syntactic, linguistic, and phonetic), and this music of the language, which is in tune with the content of the text, has led to the integrity of the literary work and the unity of its effect. Both the content and language harmony of these Taqazzols indicate the sincere expression of poets’ feelings.http://rpll.ui.ac.ir/article_23256_da6fca8d175e340617c8ad138679912b.pdfFarrukhi SistaniTaqazzolLyrical LanguageEmotive Function of LanguageInternal Monologue
collection DOAJ
language fas
format Article
sources DOAJ
author Omid Zakeri kish
spellingShingle Omid Zakeri kish
Elements of Lyrical Language in Taqazzols (Sonnets) of Farrukhi Sistani
Textual Criticism of Persian Literature
Farrukhi Sistani
Taqazzol
Lyrical Language
Emotive Function of Language
Internal Monologue
author_facet Omid Zakeri kish
author_sort Omid Zakeri kish
title Elements of Lyrical Language in Taqazzols (Sonnets) of Farrukhi Sistani
title_short Elements of Lyrical Language in Taqazzols (Sonnets) of Farrukhi Sistani
title_full Elements of Lyrical Language in Taqazzols (Sonnets) of Farrukhi Sistani
title_fullStr Elements of Lyrical Language in Taqazzols (Sonnets) of Farrukhi Sistani
title_full_unstemmed Elements of Lyrical Language in Taqazzols (Sonnets) of Farrukhi Sistani
title_sort elements of lyrical language in taqazzols (sonnets) of farrukhi sistani
publisher University of Isfahan
series Textual Criticism of Persian Literature
issn 2008-5486
2008-5486
publishDate 2019-06-01
description Farrukhi Sistani is one of the first Persian poets whose Taqazzols (Sonnets) are broadly full of emotional words. In this article –written in document mining style– the elements of lyrical language in Taqazzols of this poet has been described and analyzed. A simple syntactic structure, context validity of several Taqazzols, the application of proverbs, and having no complex intertextuality relation, have led to a simple language through which, the addressor has transmitted, explicitly, his/her emotions and feelings to the addressee. On the other hand, the addressor, having addressed the message to himself/herself, has given an emotive function to the language; this trait has been pointed out by some kind of lyrical narrative and internal monologue. In the context of his Taqqazols, the poet has also used different types of foregrounding for the sake of lyrical language. And through all these characteristics, emotional states of the addressor can be very well observed. The poet has also strengthened text music through various parallelism (syntactic, linguistic, and phonetic), and this music of the language, which is in tune with the content of the text, has led to the integrity of the literary work and the unity of its effect. Both the content and language harmony of these Taqazzols indicate the sincere expression of poets’ feelings.
topic Farrukhi Sistani
Taqazzol
Lyrical Language
Emotive Function of Language
Internal Monologue
url http://rpll.ui.ac.ir/article_23256_da6fca8d175e340617c8ad138679912b.pdf
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