Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)

Charles Heathcote Tatham and Joseph Gandy played important roles in early Nineteenth century British artistic world: Tatham for his contribution to the development of applied arts, Gandy for being John Soane’s projects graphic executor, as well as a truly eclectic artist, hard to classify in trad...

Full description

Bibliographic Details
Main Author: Casola, Tiziano
Format: Article
Language:English
Published: Edizioni Ca’ Foscari 2018-07-01
Series:MDCCC 1800
Subjects:
Online Access:http://edizionicafoscari.unive.it/riviste/mdccc-1800/2018/1/etchings-of-ancient-ornamental-architecture-1800-e/
id doaj-72f4e13ae56b474f9a137244be0aa572
record_format Article
spelling doaj-72f4e13ae56b474f9a137244be0aa5722020-11-24T21:03:47ZengEdizioni Ca’ FoscariMDCCC 18002280-88412018-07-017110.30687/MDCCC/2280-8841/2018/01/002journal_article_1446Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)Casola, Tiziano0Università degli Studi Roma Tre, Italia Charles Heathcote Tatham and Joseph Gandy played important roles in early Nineteenth century British artistic world: Tatham for his contribution to the development of applied arts, Gandy for being John Soane’s projects graphic executor, as well as a truly eclectic artist, hard to classify in traditional canons. Apparently disconnected and distant from each other, the two architects shared the experience of the trip to Rome, which took place simultaneously in the years 1794-1796, but if they boarded the same ship, they also moved in two diametrically opposite directions once arrived in Rome. The letters sent home by the two young artists confirm this, telling two completely dissimilar experiences of the same Rome and the Ancient. After returning home, between 1800 and 1806, both architects published some illustrated publications strongly linked to the recent trip. In both cases they are architectural model albums: two series of ’didactic’ engravings by Tatham, and two pattern books for rural buildings by Gandy. They are two extremely different editorial cases, but both based on the ’re-use’ of the Italian experiences of the authors and their personal interpretation of their time’s cult of antiquity. http://edizionicafoscari.unive.it/riviste/mdccc-1800/2018/1/etchings-of-ancient-ornamental-architecture-1800-e/Charles Heathcote Tatham. Joseph Michael Gandy. George Augustus Wallis. James Malton. Cottages. Etchings. Rome. Grand Tour. Pattern book. Picturesque.
collection DOAJ
language English
format Article
sources DOAJ
author Casola, Tiziano
spellingShingle Casola, Tiziano
Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)
MDCCC 1800
Charles Heathcote Tatham. Joseph Michael Gandy. George Augustus Wallis. James Malton. Cottages. Etchings. Rome. Grand Tour. Pattern book. Picturesque.
author_facet Casola, Tiziano
author_sort Casola, Tiziano
title Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)
title_short Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)
title_full Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)
title_fullStr Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)
title_full_unstemmed Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)
title_sort etchings of ancient ornamental architecture (1800) e designs for cottages (1805)
publisher Edizioni Ca’ Foscari
series MDCCC 1800
issn 2280-8841
publishDate 2018-07-01
description Charles Heathcote Tatham and Joseph Gandy played important roles in early Nineteenth century British artistic world: Tatham for his contribution to the development of applied arts, Gandy for being John Soane’s projects graphic executor, as well as a truly eclectic artist, hard to classify in traditional canons. Apparently disconnected and distant from each other, the two architects shared the experience of the trip to Rome, which took place simultaneously in the years 1794-1796, but if they boarded the same ship, they also moved in two diametrically opposite directions once arrived in Rome. The letters sent home by the two young artists confirm this, telling two completely dissimilar experiences of the same Rome and the Ancient. After returning home, between 1800 and 1806, both architects published some illustrated publications strongly linked to the recent trip. In both cases they are architectural model albums: two series of ’didactic’ engravings by Tatham, and two pattern books for rural buildings by Gandy. They are two extremely different editorial cases, but both based on the ’re-use’ of the Italian experiences of the authors and their personal interpretation of their time’s cult of antiquity.
topic Charles Heathcote Tatham. Joseph Michael Gandy. George Augustus Wallis. James Malton. Cottages. Etchings. Rome. Grand Tour. Pattern book. Picturesque.
url http://edizionicafoscari.unive.it/riviste/mdccc-1800/2018/1/etchings-of-ancient-ornamental-architecture-1800-e/
work_keys_str_mv AT casolatiziano etchingsofancientornamentalarchitecture1800edesignsforcottages1805
_version_ 1716773037209026560