Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte

Rhetorical text description is aimed at exposing the persuasive strategies employed in a text. It entails a description of the selection of topic, but in particular a stylistic analysis. In this article the researcher explores the necessity of interpreting iconic signification in poetry as a rhetori...

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Main Author: B. J. Odendaal
Format: Article
Language:Afrikaans
Published: AOSIS 1991-05-01
Series:Literator
Online Access:https://literator.org.za/index.php/literator/article/view/772
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spelling doaj-72c3ef273a9a4cb7b9abdc2963a6c3d52020-11-24T23:58:41ZafrAOSISLiterator0258-22792219-82371991-05-01123132410.4102/lit.v12i3.772712Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigteB. J. Odendaal0Universiteit van die Oranje-VrystaatRhetorical text description is aimed at exposing the persuasive strategies employed in a text. It entails a description of the selection of topic, but in particular a stylistic analysis. In this article the researcher explores the necessity of interpreting iconic signification in poetry as a rhetorical strategy, mainly on the grounds of the ‘poetic faith’ aroused in the reader by the code-orientated or demonstrative nature of poetry. The icon, the most ‘seductive’ of sign types on account of its resemblant relation to the denotated object, is seen to function as a ‘hidden persuader’ in poetic communication, valorizing the message of the poetic utterance. After analysing two short Afrikaans poems (Ernst van Heerden’s "Voëlverskrikker" and T.T. Cloete’s "God die digter") within this theoretical framework, the researcher concludes that iconicity, at the core of the poetic function in its aspiration towards minimizing the arbitrariness of signification, must be seen as a rhetorical strategy.https://literator.org.za/index.php/literator/article/view/772
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author B. J. Odendaal
spellingShingle B. J. Odendaal
Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte
Literator
author_facet B. J. Odendaal
author_sort B. J. Odendaal
title Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte
title_short Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte
title_full Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte
title_fullStr Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte
title_full_unstemmed Sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte
title_sort sien (en hoor!) is glo: ’n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte
publisher AOSIS
series Literator
issn 0258-2279
2219-8237
publishDate 1991-05-01
description Rhetorical text description is aimed at exposing the persuasive strategies employed in a text. It entails a description of the selection of topic, but in particular a stylistic analysis. In this article the researcher explores the necessity of interpreting iconic signification in poetry as a rhetorical strategy, mainly on the grounds of the ‘poetic faith’ aroused in the reader by the code-orientated or demonstrative nature of poetry. The icon, the most ‘seductive’ of sign types on account of its resemblant relation to the denotated object, is seen to function as a ‘hidden persuader’ in poetic communication, valorizing the message of the poetic utterance. After analysing two short Afrikaans poems (Ernst van Heerden’s "Voëlverskrikker" and T.T. Cloete’s "God die digter") within this theoretical framework, the researcher concludes that iconicity, at the core of the poetic function in its aspiration towards minimizing the arbitrariness of signification, must be seen as a rhetorical strategy.
url https://literator.org.za/index.php/literator/article/view/772
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