Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia

This article describes Sylvana Opoya's contribution to the writing and staging of Selve, a play performed and designed in France by Christophe Rulhes and the GdRA. In the text of the play, Sylvana, a 22-year-old Wayana woman in the French Guiana Amazon, talks about pollution and gold panning. V...

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Main Author: Christophe Rulhes
Format: Article
Language:English
Published: James Cook University 2020-08-01
Series:eTropic: electronic journal of studies in the tropics
Subjects:
Online Access:https://journals.jcu.edu.au/etropic/article/view/3732/pdf
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spelling doaj-7270b05b866e4b578fc01b3e435876172020-11-25T02:53:10ZengJames Cook UniversityeTropic: electronic journal of studies in the tropics1448-29402020-08-0119110512310.25120/etropic.19.1.2020.3732Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, AmazoniaChristophe Rulhes0Independent Writer, Theatre Director & AnthropolgistThis article describes Sylvana Opoya's contribution to the writing and staging of Selve, a play performed and designed in France by Christophe Rulhes and the GdRA. In the text of the play, Sylvana, a 22-year-old Wayana woman in the French Guiana Amazon, talks about pollution and gold panning. Via video extracts from interviews, her uncle Aimawale Opoya, the tipatakem or village chief of Taluhwen, addresses the question of Wayana territorial sovereignty in relation to "white people’s" ecological thought. Selve is inspired by the Amazon rainforest of Sylvana and Aimawale, and the remote Occitan language and peasant traditions of Quercy Rouergue (in Aveyron, France), the homeland of author and director Christophe Rulhes. As a result, various ways of wanting to belong to earth are echoing in Selve. In this article, the artist Christophe Rulhes uses methods from anthropology (he graduated from the Ecole des Hautes Etudes en Sciences Sociales) to underline the direct influence of Wayana's native culture on Selve's conception.https://journals.jcu.edu.au/etropic/article/view/3732/pdftheatrefrench guianaamazoniaecologyoccitanie
collection DOAJ
language English
format Article
sources DOAJ
author Christophe Rulhes
spellingShingle Christophe Rulhes
Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia
eTropic: electronic journal of studies in the tropics
theatre
french guiana
amazonia
ecology
occitanie
author_facet Christophe Rulhes
author_sort Christophe Rulhes
title Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia
title_short Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia
title_full Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia
title_fullStr Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia
title_full_unstemmed Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia
title_sort indigenous becoming: genesis and resonance of selve, a play co-written with sylvana opoya from taluhwen, guiana, amazonia
publisher James Cook University
series eTropic: electronic journal of studies in the tropics
issn 1448-2940
publishDate 2020-08-01
description This article describes Sylvana Opoya's contribution to the writing and staging of Selve, a play performed and designed in France by Christophe Rulhes and the GdRA. In the text of the play, Sylvana, a 22-year-old Wayana woman in the French Guiana Amazon, talks about pollution and gold panning. Via video extracts from interviews, her uncle Aimawale Opoya, the tipatakem or village chief of Taluhwen, addresses the question of Wayana territorial sovereignty in relation to "white people’s" ecological thought. Selve is inspired by the Amazon rainforest of Sylvana and Aimawale, and the remote Occitan language and peasant traditions of Quercy Rouergue (in Aveyron, France), the homeland of author and director Christophe Rulhes. As a result, various ways of wanting to belong to earth are echoing in Selve. In this article, the artist Christophe Rulhes uses methods from anthropology (he graduated from the Ecole des Hautes Etudes en Sciences Sociales) to underline the direct influence of Wayana's native culture on Selve's conception.
topic theatre
french guiana
amazonia
ecology
occitanie
url https://journals.jcu.edu.au/etropic/article/view/3732/pdf
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