The black genre within humor: critical approach to the comic Boogie the oily by Roberto Fontanarrosa

This article does a study approach to the black humour genre in the written work of Roberto Fontanarrosa, an Argentine writer very famous in Latin American, in reference to the case Boogie the oily comic. In Boogie we observe a use of humor based on a naked, open and highly criticism toward to the l...

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Main Authors: Fernanda Tusa Jumbo, Tomás Fontaines-Ruiz, Xavier Briceño Castillo
Format: Article
Language:Spanish
Published: Universidad de Chile 2017-07-01
Series:Revista Chilena de Literatura
Online Access:https://revistaliteratura.uchile.cl/index.php/RCL/article/view/46933
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spelling doaj-725b2ea86fde4449975251a9c97d6b152020-11-24T21:39:29ZspaUniversidad de ChileRevista Chilena de Literatura0048-76510718-22952017-07-019546933The black genre within humor: critical approach to the comic Boogie the oily by Roberto FontanarrosaFernanda Tusa Jumbo0Tomás Fontaines-Ruiz1Xavier Briceño Castillo2Universidad Técnica de MachalaUniversidad Técnica de MachalaUniversidad Técnica de MachalaThis article does a study approach to the black humour genre in the written work of Roberto Fontanarrosa, an Argentine writer very famous in Latin American, in reference to the case Boogie the oily comic. In Boogie we observe a use of humor based on a naked, open and highly criticism toward to the liquid contemporary culture through the creation of a protagonist who reflects in itself all vices and evils of society. As methodology, this paper does a literature review and qualitative content analysis taking as reference ten comics of Boogie; with this material this article analyzes connotative and denotative messages. In conclusion this paper infers that a comic can serve as a vehicle to express reality by mean of absurdity and irony. Consequently, Boogie shows the culture of tolerance that human being has taken in front of the deformation values of today’s world.https://revistaliteratura.uchile.cl/index.php/RCL/article/view/46933
collection DOAJ
language Spanish
format Article
sources DOAJ
author Fernanda Tusa Jumbo
Tomás Fontaines-Ruiz
Xavier Briceño Castillo
spellingShingle Fernanda Tusa Jumbo
Tomás Fontaines-Ruiz
Xavier Briceño Castillo
The black genre within humor: critical approach to the comic Boogie the oily by Roberto Fontanarrosa
Revista Chilena de Literatura
author_facet Fernanda Tusa Jumbo
Tomás Fontaines-Ruiz
Xavier Briceño Castillo
author_sort Fernanda Tusa Jumbo
title The black genre within humor: critical approach to the comic Boogie the oily by Roberto Fontanarrosa
title_short The black genre within humor: critical approach to the comic Boogie the oily by Roberto Fontanarrosa
title_full The black genre within humor: critical approach to the comic Boogie the oily by Roberto Fontanarrosa
title_fullStr The black genre within humor: critical approach to the comic Boogie the oily by Roberto Fontanarrosa
title_full_unstemmed The black genre within humor: critical approach to the comic Boogie the oily by Roberto Fontanarrosa
title_sort black genre within humor: critical approach to the comic boogie the oily by roberto fontanarrosa
publisher Universidad de Chile
series Revista Chilena de Literatura
issn 0048-7651
0718-2295
publishDate 2017-07-01
description This article does a study approach to the black humour genre in the written work of Roberto Fontanarrosa, an Argentine writer very famous in Latin American, in reference to the case Boogie the oily comic. In Boogie we observe a use of humor based on a naked, open and highly criticism toward to the liquid contemporary culture through the creation of a protagonist who reflects in itself all vices and evils of society. As methodology, this paper does a literature review and qualitative content analysis taking as reference ten comics of Boogie; with this material this article analyzes connotative and denotative messages. In conclusion this paper infers that a comic can serve as a vehicle to express reality by mean of absurdity and irony. Consequently, Boogie shows the culture of tolerance that human being has taken in front of the deformation values of today’s world.
url https://revistaliteratura.uchile.cl/index.php/RCL/article/view/46933
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