« Quelque chose de rouge » : l’esthétique des tableaux vivants dans Salammbô
In Salammbô, Flaubert’s writing is generated by a principle analogous to the tableau vivant, pulling the novel in the direction of the visual and spectacular arts. A cultural practice which reached its peak popularity during the Second Empire, the tableau vivant intersects theater, painting, photogr...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2016-06-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Online Access: | http://journals.openedition.org/flaubert/2529 |