‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image

In 1870, the American William J. Stillman — diplomat, journalist, painter and photographer — published an album of autotypes entitled 'The Acropolis of Athens: Illustrated Picturesquely and Architecturally in Photography'. For a newcomer to the medium, Stillman’s images were remarkable for...

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Bibliographic Details
Main Authors: Dervla MacManus, Hugh Campbell
Format: Article
Language:English
Published: Ubiquity Press 2015-12-01
Series:Architectural Histories
Subjects:
Online Access:http://journal.eahn.org/articles/205
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spelling doaj-7197aa32ba504cbc98ee5600ec92ab7f2020-11-24T21:40:13ZengUbiquity PressArchitectural Histories2050-58332015-12-013110.5334/ah.cw86‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and ImageDervla MacManus0Hugh Campbell1University College DublinUniversity College DublinIn 1870, the American William J. Stillman — diplomat, journalist, painter and photographer — published an album of autotypes entitled 'The Acropolis of Athens: Illustrated Picturesquely and Architecturally in Photography'. For a newcomer to the medium, Stillman’s images were remarkable for their poise and clarity. But where the photographs were ‘clear and lively’, to borrow John Szarkowski’s phrase, the brief text which accompanied each was, by comparison, laborious and lifeless. Facing each other across each double-spread, text and image seemed to speak in completely different registers, in a manner which presaged many subsequent uses of similar material, most famously Vers une architecture. This article explores the relationship between word and image at play in Stillman’s The Acropolis in terms of Stillman’s intentions and the genre of the photo-book, and considers the implications that this book, as object and genre, has for word-image relationships within architectural history.http://journal.eahn.org/articles/205Word and Image, Photography, Nineteenth-century, Experience, Representation
collection DOAJ
language English
format Article
sources DOAJ
author Dervla MacManus
Hugh Campbell
spellingShingle Dervla MacManus
Hugh Campbell
‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image
Architectural Histories
Word and Image, Photography, Nineteenth-century, Experience, Representation
author_facet Dervla MacManus
Hugh Campbell
author_sort Dervla MacManus
title ‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image
title_short ‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image
title_full ‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image
title_fullStr ‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image
title_full_unstemmed ‘Illustrated Picturesquely and Architecturally in Photography’: William J. Stillman and the Acropolis in Word and Image
title_sort ‘illustrated picturesquely and architecturally in photography’: william j. stillman and the acropolis in word and image
publisher Ubiquity Press
series Architectural Histories
issn 2050-5833
publishDate 2015-12-01
description In 1870, the American William J. Stillman — diplomat, journalist, painter and photographer — published an album of autotypes entitled 'The Acropolis of Athens: Illustrated Picturesquely and Architecturally in Photography'. For a newcomer to the medium, Stillman’s images were remarkable for their poise and clarity. But where the photographs were ‘clear and lively’, to borrow John Szarkowski’s phrase, the brief text which accompanied each was, by comparison, laborious and lifeless. Facing each other across each double-spread, text and image seemed to speak in completely different registers, in a manner which presaged many subsequent uses of similar material, most famously Vers une architecture. This article explores the relationship between word and image at play in Stillman’s The Acropolis in terms of Stillman’s intentions and the genre of the photo-book, and considers the implications that this book, as object and genre, has for word-image relationships within architectural history.
topic Word and Image, Photography, Nineteenth-century, Experience, Representation
url http://journal.eahn.org/articles/205
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