Exhibition as Pile
The role of exhibition within Kathrin Böhm’s expanded artistic practice—a practice that is not primarily predicated on production for display—is considered within the context of a larger process of public review arising from within the terms of the practice itself. In reviewing the role of exhibitio...
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University of Gothenburg
2021-06-01
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doaj-716efd70068743a291a79a66585ea0752021-06-28T16:42:08ZengUniversity of GothenburgParse Journal2002-05112002-09532021-06-01On the Question of Exhibition Part 113 Exhibition as Pile Kathrin BöhmYolande Zola Zoli van der Heide0Gavin Wade1Mick Wilson2Franciska ZólyomSandberg Institute, AmsterdamBirmingham City UniversityHdk-Valand, University of GothenburgThe role of exhibition within Kathrin Böhm’s expanded artistic practice—a practice that is not primarily predicated on production for display—is considered within the context of a larger process of public review arising from within the terms of the practice itself. In reviewing the role of exhibition, certain dimensions of the practice are foregrounded as warranting some form of reproduction or transfer into future practice. These characteristics are described as: 1:1 scale; usership; and the publicness of decisions. A key trope identified is that of the compost heap, and with it the process of composting as a figure through which to consider the public review of a practice within a projected exhibitionary process at the Showroom London in summer 2021.https://parsejournal.com/article/exhibition-as-pile/compostingeconomyexhibitionexpanded practicepublicsocial practicespatial practiceusership |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Kathrin Böhm Yolande Zola Zoli van der Heide Gavin Wade Mick Wilson Franciska Zólyom |
spellingShingle |
Kathrin Böhm Yolande Zola Zoli van der Heide Gavin Wade Mick Wilson Franciska Zólyom Exhibition as Pile Parse Journal composting economy exhibition expanded practice public social practice spatial practice usership |
author_facet |
Kathrin Böhm Yolande Zola Zoli van der Heide Gavin Wade Mick Wilson Franciska Zólyom |
author_sort |
Kathrin Böhm |
title |
Exhibition as Pile |
title_short |
Exhibition as Pile |
title_full |
Exhibition as Pile |
title_fullStr |
Exhibition as Pile |
title_full_unstemmed |
Exhibition as Pile |
title_sort |
exhibition as pile |
publisher |
University of Gothenburg |
series |
Parse Journal |
issn |
2002-0511 2002-0953 |
publishDate |
2021-06-01 |
description |
The role of exhibition within Kathrin Böhm’s expanded artistic practice—a practice that is not primarily predicated on production for display—is considered within the context of a larger process of public review arising from within the terms of the practice itself. In reviewing the role of exhibition, certain dimensions of the practice are foregrounded as warranting some form of reproduction or transfer into future practice. These characteristics are described as: 1:1 scale; usership; and the publicness of decisions. A key trope identified is that of the compost heap, and with it the process of composting as a figure through which to consider the public review of a practice within a projected exhibitionary process at the Showroom London in summer 2021. |
topic |
composting economy exhibition expanded practice public social practice spatial practice usership |
url |
https://parsejournal.com/article/exhibition-as-pile/ |
work_keys_str_mv |
AT kathrinbohm exhibitionaspile AT yolandezolazolivanderheide exhibitionaspile AT gavinwade exhibitionaspile AT mickwilson exhibitionaspile AT franciskazolyom exhibitionaspile |
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1721356318409752576 |