Exhibition as Pile

The role of exhibition within Kathrin Böhm’s expanded artistic practice—a practice that is not primarily predicated on production for display—is considered within the context of a larger process of public review arising from within the terms of the practice itself. In reviewing the role of exhibitio...

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Bibliographic Details
Main Authors: Kathrin Böhm, Yolande Zola Zoli van der Heide, Gavin Wade, Mick Wilson, Franciska Zólyom
Format: Article
Language:English
Published: University of Gothenburg 2021-06-01
Series:Parse Journal
Subjects:
Online Access:https://parsejournal.com/article/exhibition-as-pile/
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spelling doaj-716efd70068743a291a79a66585ea0752021-06-28T16:42:08ZengUniversity of GothenburgParse Journal2002-05112002-09532021-06-01On the Question of Exhibition Part 113 Exhibition as Pile Kathrin BöhmYolande Zola Zoli van der Heide0Gavin Wade1Mick Wilson2Franciska ZólyomSandberg Institute, AmsterdamBirmingham City UniversityHdk-Valand, University of GothenburgThe role of exhibition within Kathrin Böhm’s expanded artistic practice—a practice that is not primarily predicated on production for display—is considered within the context of a larger process of public review arising from within the terms of the practice itself. In reviewing the role of exhibition, certain dimensions of the practice are foregrounded as warranting some form of reproduction or transfer into future practice. These characteristics are described as: 1:1 scale; usership; and the publicness of decisions. A key trope identified is that of the compost heap, and with it the process of composting as a figure through which to consider the public review of a practice within a projected exhibitionary process at the Showroom London in summer 2021.https://parsejournal.com/article/exhibition-as-pile/compostingeconomyexhibitionexpanded practicepublicsocial practicespatial practiceusership
collection DOAJ
language English
format Article
sources DOAJ
author Kathrin Böhm
Yolande Zola Zoli van der Heide
Gavin Wade
Mick Wilson
Franciska Zólyom
spellingShingle Kathrin Böhm
Yolande Zola Zoli van der Heide
Gavin Wade
Mick Wilson
Franciska Zólyom
Exhibition as Pile
Parse Journal
composting
economy
exhibition
expanded practice
public
social practice
spatial practice
usership
author_facet Kathrin Böhm
Yolande Zola Zoli van der Heide
Gavin Wade
Mick Wilson
Franciska Zólyom
author_sort Kathrin Böhm
title Exhibition as Pile
title_short Exhibition as Pile
title_full Exhibition as Pile
title_fullStr Exhibition as Pile
title_full_unstemmed Exhibition as Pile
title_sort exhibition as pile
publisher University of Gothenburg
series Parse Journal
issn 2002-0511
2002-0953
publishDate 2021-06-01
description The role of exhibition within Kathrin Böhm’s expanded artistic practice—a practice that is not primarily predicated on production for display—is considered within the context of a larger process of public review arising from within the terms of the practice itself. In reviewing the role of exhibition, certain dimensions of the practice are foregrounded as warranting some form of reproduction or transfer into future practice. These characteristics are described as: 1:1 scale; usership; and the publicness of decisions. A key trope identified is that of the compost heap, and with it the process of composting as a figure through which to consider the public review of a practice within a projected exhibitionary process at the Showroom London in summer 2021.
topic composting
economy
exhibition
expanded practice
public
social practice
spatial practice
usership
url https://parsejournal.com/article/exhibition-as-pile/
work_keys_str_mv AT kathrinbohm exhibitionaspile
AT yolandezolazolivanderheide exhibitionaspile
AT gavinwade exhibitionaspile
AT mickwilson exhibitionaspile
AT franciskazolyom exhibitionaspile
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