Haugerudbekken: Community Improvement through Socially Engaged Art

Haugerudbekken is the collective title of a series of art projects where two local artists (the authors of this article) collaborate with pupils from local schools in Haugerud to create public art installations in the neighbourhood. Haugerudbekken may be considered a practical exploration guided...

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Main Authors: Katja Høst, Liva Mork
Format: Article
Language:English
Published: OsloMet — Oslo Metropolitan University 2021-05-01
Series:Nordic Journal of Art and Research
Online Access:https://journals.oslomet.no/index.php/information/article/view/3745
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spelling doaj-7163268d1d1e49198d5134c4ff8a08ef2021-05-19T12:17:05ZengOsloMet — Oslo Metropolitan UniversityNordic Journal of Art and Research2535-73282021-05-0110210.7577/information.3745Haugerudbekken: Community Improvement through Socially Engaged Art Katja Høst0Liva Mork1Independent artistIndependent artist Haugerudbekken is the collective title of a series of art projects where two local artists (the authors of this article) collaborate with pupils from local schools in Haugerud to create public art installations in the neighbourhood. Haugerudbekken may be considered a practical exploration guided by principles in the fields of socially engaged art (SEA), teaching artists (TA) and community artists (CA). The project is being undertaken within the broader context of a government run local improvement initiative in the Oslo suburbs of Haugerud and Trosterud. A growing demand for art entering a societal context (like urban development) calls for approaches emphasizing dialogue, communication and local affiliation. As this demand grows, so does the need for best-practice guidance for initiating artists as well as for policymakers and others inviting artists to contribute. Furthermore, our approach as independent artists working within a community setting might also benefit from clarification of theory and framework in this field. This article therefore aims to share knowledge gathered through our three years (and still ongoing) working on Haugerudbekken, pinpointing what we believe to be key success factors as well as challenges in our project. Findings are discussed in relation to existing theory and relevant practice in SEA, TA and CA informing existing guidelines as well as terminology.   https://journals.oslomet.no/index.php/information/article/view/3745
collection DOAJ
language English
format Article
sources DOAJ
author Katja Høst
Liva Mork
spellingShingle Katja Høst
Liva Mork
Haugerudbekken: Community Improvement through Socially Engaged Art
Nordic Journal of Art and Research
author_facet Katja Høst
Liva Mork
author_sort Katja Høst
title Haugerudbekken: Community Improvement through Socially Engaged Art
title_short Haugerudbekken: Community Improvement through Socially Engaged Art
title_full Haugerudbekken: Community Improvement through Socially Engaged Art
title_fullStr Haugerudbekken: Community Improvement through Socially Engaged Art
title_full_unstemmed Haugerudbekken: Community Improvement through Socially Engaged Art
title_sort haugerudbekken: community improvement through socially engaged art
publisher OsloMet — Oslo Metropolitan University
series Nordic Journal of Art and Research
issn 2535-7328
publishDate 2021-05-01
description Haugerudbekken is the collective title of a series of art projects where two local artists (the authors of this article) collaborate with pupils from local schools in Haugerud to create public art installations in the neighbourhood. Haugerudbekken may be considered a practical exploration guided by principles in the fields of socially engaged art (SEA), teaching artists (TA) and community artists (CA). The project is being undertaken within the broader context of a government run local improvement initiative in the Oslo suburbs of Haugerud and Trosterud. A growing demand for art entering a societal context (like urban development) calls for approaches emphasizing dialogue, communication and local affiliation. As this demand grows, so does the need for best-practice guidance for initiating artists as well as for policymakers and others inviting artists to contribute. Furthermore, our approach as independent artists working within a community setting might also benefit from clarification of theory and framework in this field. This article therefore aims to share knowledge gathered through our three years (and still ongoing) working on Haugerudbekken, pinpointing what we believe to be key success factors as well as challenges in our project. Findings are discussed in relation to existing theory and relevant practice in SEA, TA and CA informing existing guidelines as well as terminology.  
url https://journals.oslomet.no/index.php/information/article/view/3745
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