Проект «ДАП» как инцидент
The paper deals with the textual, visual and performative aspects of the “DAP project”, viewed as an “incident” in russian culture. In the light of an event-oriented philosophical and culturological scientific approach, the methodological problems are resolved in favor of a polycentric, “vibratory”...
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| Format: | Article |
| Language: | English |
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University of Trieste, University of Ljubljana, University of Konstanz
2017-07-01
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| Series: | Slavica TerGestina |
| Subjects: | |
| Online Access: | https://www.openstarts.units.it/bitstream/10077/15444/1/SlavicaTer_18-2017-08-%d0%92%d0%b8%d1%87%d0%b8%d1%87.pdf |
| Summary: | The paper deals with the textual,
visual and performative aspects of the
“DAP project”, viewed as an “incident”
in russian culture. In the light of an
event-oriented philosophical and
culturological scientific approach, the
methodological problems are resolved
in favor of a polycentric, “vibratory”
view of the author’s work, allowing us
to take in consideration the various
aspects of the project’s relations toward
the questions of authorship and the use
of textual, visual, somatic and other
“artistic materials”. The pursue for a
special kind of distance, separation
from the used “artistic materials” and
a yearning “not to be identified” inside
of them, to remain in the sphere of an
(idealistically said) “complete artistic
freedom” are by this means discovered
as the main goals of the project. |
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| ISSN: | 1592-0291 2283-5482 |