Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition

Unruly gestures presents a hybrid performative intervention by means of video, text, and still images. With this experimental essay we aspire to break down various preconceptions about reading/writing gestures. Breaking away from a narrative that sees these gestures foremost as passive entities - as...

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Main Authors: Janneke Adema, Kamila Kuc
Format: Article
Language:English
Published: Linköping University Electronic Press 2019-04-01
Series:Culture Unbound: Journal of Current Cultural Research
Subjects:
Online Access:http://dx.doi.org/10.3384/cu.2000.1525.2019111190
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spelling doaj-70030ba6125f4e8b863c08e0d339b2c32020-11-25T00:56:10ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252019-04-01111190-208190-20810.3384/cu.2000.1525.2019111190Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital ConditionJanneke AdemaKamila KucUnruly gestures presents a hybrid performative intervention by means of video, text, and still images. With this experimental essay we aspire to break down various preconceptions about reading/writing gestures. Breaking away from a narrative that sees these gestures foremost as passive entities - as either embodiments of pure subjective intentionality, or as bodily movements shaped and controlled by media technologies (enabling specific sensory engagements with texts) - we aim to reappraise them. Indeed, in this essay we identify numerous dominant narratives that relate to gestural agency, to the media-specificity of gestures, and to their (linear) historicity, naturalness and humanism. This essay disrupts these preconceptions, and by doing so, it unfolds an alternative genealogy of 'unruly gestures.' These are gestures that challenge gestural conditioning through particular media technologies, cultural power structures, hegemonic discourses, and the biopolitical self. We focus on reading/writing gestures that have disrupted gestural hegemonies and material-discursive forms of gestural control through time and across media. Informed by Tristan Tzara's cut-up techniques, where through the gesture of cutting the Dadaists subverted established traditions of authorship, intentionality, and linearity, this essay has been cut-up into seven semi-autonomous cine-paragraphs (accessible in video and print). Each of these cine-paragraphs confronts specific gestural preconceptions while simultaneously showcasing various unruly gestures.http://dx.doi.org/10.3384/cu.2000.1525.2019111190Reading/writing GesturesGestural AgencyCorporate Gesture ControlTextual MediaCutting, IterationMedia Archaeology
collection DOAJ
language English
format Article
sources DOAJ
author Janneke Adema
Kamila Kuc
spellingShingle Janneke Adema
Kamila Kuc
Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition
Culture Unbound: Journal of Current Cultural Research
Reading/writing Gestures
Gestural Agency
Corporate Gesture Control
Textual Media
Cutting, Iteration
Media Archaeology
author_facet Janneke Adema
Kamila Kuc
author_sort Janneke Adema
title Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition
title_short Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition
title_full Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition
title_fullStr Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition
title_full_unstemmed Unruly Gestures: Seven Cine-Paragraphs on Reading/Writing Practices in our Post-Digital Condition
title_sort unruly gestures: seven cine-paragraphs on reading/writing practices in our post-digital condition
publisher Linköping University Electronic Press
series Culture Unbound: Journal of Current Cultural Research
issn 2000-1525
publishDate 2019-04-01
description Unruly gestures presents a hybrid performative intervention by means of video, text, and still images. With this experimental essay we aspire to break down various preconceptions about reading/writing gestures. Breaking away from a narrative that sees these gestures foremost as passive entities - as either embodiments of pure subjective intentionality, or as bodily movements shaped and controlled by media technologies (enabling specific sensory engagements with texts) - we aim to reappraise them. Indeed, in this essay we identify numerous dominant narratives that relate to gestural agency, to the media-specificity of gestures, and to their (linear) historicity, naturalness and humanism. This essay disrupts these preconceptions, and by doing so, it unfolds an alternative genealogy of 'unruly gestures.' These are gestures that challenge gestural conditioning through particular media technologies, cultural power structures, hegemonic discourses, and the biopolitical self. We focus on reading/writing gestures that have disrupted gestural hegemonies and material-discursive forms of gestural control through time and across media. Informed by Tristan Tzara's cut-up techniques, where through the gesture of cutting the Dadaists subverted established traditions of authorship, intentionality, and linearity, this essay has been cut-up into seven semi-autonomous cine-paragraphs (accessible in video and print). Each of these cine-paragraphs confronts specific gestural preconceptions while simultaneously showcasing various unruly gestures.
topic Reading/writing Gestures
Gestural Agency
Corporate Gesture Control
Textual Media
Cutting, Iteration
Media Archaeology
url http://dx.doi.org/10.3384/cu.2000.1525.2019111190
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AT kamilakuc unrulygesturessevencineparagraphsonreadingwritingpracticesinourpostdigitalcondition
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