DIALOGUES IN CREATION: A STUDY OF THE BRAZILIAN MASTIZE OF “RECONHECIMENTO DE NÊMESIS” AND “PADRE JESUÍNO DE MONTE CARMELO”

The present article is devoted, in a first part, to the study of the process of creation of the poem “Reconhecimento de Nêmesis”, written in1926 and published fifteen years later in the section “A Costela do Grã-Cão” of the book Poesias. Excerpts from the active and passive correspondence participa...

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Main Author: Angela Teodoro Grillo
Format: Article
Language:English
Published: Universidade Estadual de Londrina 2017-08-01
Series:Signum: Estudos da Linguagem
Subjects:
Online Access:http://www.uel.br/revistas/uel/index.php/signum/article/view/27634/21314
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spelling doaj-6fd8a5c9c9c94c568a577a070d3657a72020-11-25T02:45:32ZengUniversidade Estadual de LondrinaSignum: Estudos da Linguagem1516-30832237-48762017-08-01202104010.5433/2237-4876.2017v20n2p10DIALOGUES IN CREATION: A STUDY OF THE BRAZILIAN MASTIZE OF “RECONHECIMENTO DE NÊMESIS” AND “PADRE JESUÍNO DE MONTE CARMELO”Angela Teodoro Grillo0Universidade de São PauloThe present article is devoted, in a first part, to the study of the process of creation of the poem “Reconhecimento de Nêmesis”, written in1926 and published fifteen years later in the section “A Costela do Grã-Cão” of the book Poesias. Excerpts from the active and passive correspondence participate in the archive of the creation of the poem and contribute to the analysis and interpretation of the verses. In the second part, we present a comparative study of “Reconheciemnto de Nêmesis” with Padre Jesuíno de Monte Carmelo, a work of posthumous publication, written in the 1940s, while Mário de Andrade worked with SPHAN and sought an expression of baroque art in the state of Sao Paulo. The approach of the poem and the prose text is possible especially because the writer, twenty years later, in the romance of the baroque painter, replicates the main image of the poem, the “brown hand”, a metaphor in the work of the modernist that indicates aspects of psychology Of the Brazilian mestizo. http://www.uel.br/revistas/uel/index.php/signum/article/view/27634/21314Mario de Andrade poetcreation processAfro Brazilian
collection DOAJ
language English
format Article
sources DOAJ
author Angela Teodoro Grillo
spellingShingle Angela Teodoro Grillo
DIALOGUES IN CREATION: A STUDY OF THE BRAZILIAN MASTIZE OF “RECONHECIMENTO DE NÊMESIS” AND “PADRE JESUÍNO DE MONTE CARMELO”
Signum: Estudos da Linguagem
Mario de Andrade poet
creation process
Afro Brazilian
author_facet Angela Teodoro Grillo
author_sort Angela Teodoro Grillo
title DIALOGUES IN CREATION: A STUDY OF THE BRAZILIAN MASTIZE OF “RECONHECIMENTO DE NÊMESIS” AND “PADRE JESUÍNO DE MONTE CARMELO”
title_short DIALOGUES IN CREATION: A STUDY OF THE BRAZILIAN MASTIZE OF “RECONHECIMENTO DE NÊMESIS” AND “PADRE JESUÍNO DE MONTE CARMELO”
title_full DIALOGUES IN CREATION: A STUDY OF THE BRAZILIAN MASTIZE OF “RECONHECIMENTO DE NÊMESIS” AND “PADRE JESUÍNO DE MONTE CARMELO”
title_fullStr DIALOGUES IN CREATION: A STUDY OF THE BRAZILIAN MASTIZE OF “RECONHECIMENTO DE NÊMESIS” AND “PADRE JESUÍNO DE MONTE CARMELO”
title_full_unstemmed DIALOGUES IN CREATION: A STUDY OF THE BRAZILIAN MASTIZE OF “RECONHECIMENTO DE NÊMESIS” AND “PADRE JESUÍNO DE MONTE CARMELO”
title_sort dialogues in creation: a study of the brazilian mastize of “reconhecimento de nêmesis” and “padre jesuíno de monte carmelo”
publisher Universidade Estadual de Londrina
series Signum: Estudos da Linguagem
issn 1516-3083
2237-4876
publishDate 2017-08-01
description The present article is devoted, in a first part, to the study of the process of creation of the poem “Reconhecimento de Nêmesis”, written in1926 and published fifteen years later in the section “A Costela do Grã-Cão” of the book Poesias. Excerpts from the active and passive correspondence participate in the archive of the creation of the poem and contribute to the analysis and interpretation of the verses. In the second part, we present a comparative study of “Reconheciemnto de Nêmesis” with Padre Jesuíno de Monte Carmelo, a work of posthumous publication, written in the 1940s, while Mário de Andrade worked with SPHAN and sought an expression of baroque art in the state of Sao Paulo. The approach of the poem and the prose text is possible especially because the writer, twenty years later, in the romance of the baroque painter, replicates the main image of the poem, the “brown hand”, a metaphor in the work of the modernist that indicates aspects of psychology Of the Brazilian mestizo.
topic Mario de Andrade poet
creation process
Afro Brazilian
url http://www.uel.br/revistas/uel/index.php/signum/article/view/27634/21314
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