La selva sin amor (1627): ¿un ejemplo «italiano»?
A court piece, La selva sin amor takes advantage of technical progress in Italian staging as well as music in order to offer its court public a ‘one and only’ performance of a piece entirely sung in Spanish. Nevertheless, over and above the spectacle, visual and sung, we are confronted, as we can se...
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Presses universitaires du Mirail
2014-12-01
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Online Access: | http://journals.openedition.org/criticon/1231 |
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doaj-6fa12717738243a483e3c4be6d3cd4692020-11-25T01:15:36ZspaPresses universitaires du MirailCriticón0247-381X2014-12-0112215716710.4000/criticon.1231La selva sin amor (1627): ¿un ejemplo «italiano»?Philippe MeunierA court piece, La selva sin amor takes advantage of technical progress in Italian staging as well as music in order to offer its court public a ‘one and only’ performance of a piece entirely sung in Spanish. Nevertheless, over and above the spectacle, visual and sung, we are confronted, as we can see in Lope’s dedicatory material, with the printed verses organized as a silva in an extremely short eclogue that leads to a cuestionning of the status and meaning of dramatic writing.http://journals.openedition.org/criticon/1231Vega Lope deecloguesilvapastichefarse |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Philippe Meunier |
spellingShingle |
Philippe Meunier La selva sin amor (1627): ¿un ejemplo «italiano»? Criticón Vega Lope de eclogue silva pastiche farse |
author_facet |
Philippe Meunier |
author_sort |
Philippe Meunier |
title |
La selva sin amor (1627): ¿un ejemplo «italiano»? |
title_short |
La selva sin amor (1627): ¿un ejemplo «italiano»? |
title_full |
La selva sin amor (1627): ¿un ejemplo «italiano»? |
title_fullStr |
La selva sin amor (1627): ¿un ejemplo «italiano»? |
title_full_unstemmed |
La selva sin amor (1627): ¿un ejemplo «italiano»? |
title_sort |
la selva sin amor (1627): ¿un ejemplo «italiano»? |
publisher |
Presses universitaires du Mirail |
series |
Criticón |
issn |
0247-381X |
publishDate |
2014-12-01 |
description |
A court piece, La selva sin amor takes advantage of technical progress in Italian staging as well as music in order to offer its court public a ‘one and only’ performance of a piece entirely sung in Spanish. Nevertheless, over and above the spectacle, visual and sung, we are confronted, as we can see in Lope’s dedicatory material, with the printed verses organized as a silva in an extremely short eclogue that leads to a cuestionning of the status and meaning of dramatic writing. |
topic |
Vega Lope de eclogue silva pastiche farse |
url |
http://journals.openedition.org/criticon/1231 |
work_keys_str_mv |
AT philippemeunier laselvasinamor1627unejemploitaliano |
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