La selva sin amor (1627): ¿un ejemplo «italiano»?

A court piece, La selva sin amor takes advantage of technical progress in Italian staging as well as music in order to offer its court public a ‘one and only’ performance of a piece entirely sung in Spanish. Nevertheless, over and above the spectacle, visual and sung, we are confronted, as we can se...

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Bibliographic Details
Main Author: Philippe Meunier
Format: Article
Language:Spanish
Published: Presses universitaires du Mirail 2014-12-01
Series:Criticón
Subjects:
Online Access:http://journals.openedition.org/criticon/1231
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spelling doaj-6fa12717738243a483e3c4be6d3cd4692020-11-25T01:15:36ZspaPresses universitaires du MirailCriticón0247-381X2014-12-0112215716710.4000/criticon.1231La selva sin amor (1627): ¿un ejemplo «italiano»?Philippe MeunierA court piece, La selva sin amor takes advantage of technical progress in Italian staging as well as music in order to offer its court public a ‘one and only’ performance of a piece entirely sung in Spanish. Nevertheless, over and above the spectacle, visual and sung, we are confronted, as we can see in Lope’s dedicatory material, with the printed verses organized as a silva in an extremely short eclogue that leads to a cuestionning of the status and meaning of dramatic writing.http://journals.openedition.org/criticon/1231Vega Lope deecloguesilvapastichefarse
collection DOAJ
language Spanish
format Article
sources DOAJ
author Philippe Meunier
spellingShingle Philippe Meunier
La selva sin amor (1627): ¿un ejemplo «italiano»?
Criticón
Vega Lope de
eclogue
silva
pastiche
farse
author_facet Philippe Meunier
author_sort Philippe Meunier
title La selva sin amor (1627): ¿un ejemplo «italiano»?
title_short La selva sin amor (1627): ¿un ejemplo «italiano»?
title_full La selva sin amor (1627): ¿un ejemplo «italiano»?
title_fullStr La selva sin amor (1627): ¿un ejemplo «italiano»?
title_full_unstemmed La selva sin amor (1627): ¿un ejemplo «italiano»?
title_sort la selva sin amor (1627): ¿un ejemplo «italiano»?
publisher Presses universitaires du Mirail
series Criticón
issn 0247-381X
publishDate 2014-12-01
description A court piece, La selva sin amor takes advantage of technical progress in Italian staging as well as music in order to offer its court public a ‘one and only’ performance of a piece entirely sung in Spanish. Nevertheless, over and above the spectacle, visual and sung, we are confronted, as we can see in Lope’s dedicatory material, with the printed verses organized as a silva in an extremely short eclogue that leads to a cuestionning of the status and meaning of dramatic writing.
topic Vega Lope de
eclogue
silva
pastiche
farse
url http://journals.openedition.org/criticon/1231
work_keys_str_mv AT philippemeunier laselvasinamor1627unejemploitaliano
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