19th-century Women's Publishing. Patrocinio de Biedma: Between Associationism and Editorial Collaborative Networks
This work seeks to analyse Patrocinio de Biedma y La Moneda as an editor and a cultural entrepreneur in the second half of the 19th century. In addition to being an outstanding writer, her editorial work began after her arrival in Cadiz, where she met and established a close relationship with José R...
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Universitat de Barcelona; Universitat Autònoma de Barcelona
2019-10-01
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Online Access: | http://revistes.ub.edu/index.php/lectora/article/view/29835 |
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doaj-6f36a00925ac442e83b322cf22f481a42020-11-25T01:49:19ZcatUniversitat de Barcelona; Universitat Autònoma de BarcelonaLectora: Revista de Dones i Textualitat1136-57812013-94702019-10-0102510511910.1344/Lectora2019.25.62475819th-century Women's Publishing. Patrocinio de Biedma: Between Associationism and Editorial Collaborative NetworksJuan Pedro Martín Villareal0Universidad de CádizThis work seeks to analyse Patrocinio de Biedma y La Moneda as an editor and a cultural entrepreneur in the second half of the 19th century. In addition to being an outstanding writer, her editorial work began after her arrival in Cadiz, where she met and established a close relationship with José Rodríguez y Rodríguez, archivist and owner of Tipografía La Mercantil, who eventually became her husband. While in charge of the journal Cádiz. Revista de Artes, Letras y Ciencias (1877-1880), she built a strong editorial collaborative network of women writers that resulted in various publications. Moreover, she promoted a much larger editorial project: the Federación Literaria Andaluza or Federación Científico-Literaria. Moreover, her role in selecting titles for publication in her husband’s publishing house, Tipografía La Mercantil, can also be proven by analysing its editorial selection.http://revistes.ub.edu/index.php/lectora/article/view/29835Edición femeninaemprendimiento cultural femeninoredes de colaboración editorialPatrocinio de Biedma |
collection |
DOAJ |
language |
Catalan |
format |
Article |
sources |
DOAJ |
author |
Juan Pedro Martín Villareal |
spellingShingle |
Juan Pedro Martín Villareal 19th-century Women's Publishing. Patrocinio de Biedma: Between Associationism and Editorial Collaborative Networks Lectora: Revista de Dones i Textualitat Edición femenina emprendimiento cultural femenino redes de colaboración editorial Patrocinio de Biedma |
author_facet |
Juan Pedro Martín Villareal |
author_sort |
Juan Pedro Martín Villareal |
title |
19th-century Women's Publishing. Patrocinio de Biedma: Between Associationism and Editorial Collaborative Networks |
title_short |
19th-century Women's Publishing. Patrocinio de Biedma: Between Associationism and Editorial Collaborative Networks |
title_full |
19th-century Women's Publishing. Patrocinio de Biedma: Between Associationism and Editorial Collaborative Networks |
title_fullStr |
19th-century Women's Publishing. Patrocinio de Biedma: Between Associationism and Editorial Collaborative Networks |
title_full_unstemmed |
19th-century Women's Publishing. Patrocinio de Biedma: Between Associationism and Editorial Collaborative Networks |
title_sort |
19th-century women's publishing. patrocinio de biedma: between associationism and editorial collaborative networks |
publisher |
Universitat de Barcelona; Universitat Autònoma de Barcelona |
series |
Lectora: Revista de Dones i Textualitat |
issn |
1136-5781 2013-9470 |
publishDate |
2019-10-01 |
description |
This work seeks to analyse Patrocinio de Biedma y La Moneda as an editor and a cultural entrepreneur in the second half of the 19th century. In addition to being an outstanding writer, her editorial work began after her arrival in Cadiz, where she met and established a close relationship with José Rodríguez y Rodríguez, archivist and owner of Tipografía La Mercantil, who eventually became her husband. While in charge of the journal Cádiz. Revista de Artes, Letras y Ciencias (1877-1880), she built a strong editorial collaborative network of women writers that resulted in various publications. Moreover, she promoted a much larger editorial project: the Federación Literaria Andaluza or Federación Científico-Literaria. Moreover, her role in selecting titles for publication in her husband’s publishing house, Tipografía La Mercantil, can also be proven by analysing its editorial selection. |
topic |
Edición femenina emprendimiento cultural femenino redes de colaboración editorial Patrocinio de Biedma |
url |
http://revistes.ub.edu/index.php/lectora/article/view/29835 |
work_keys_str_mv |
AT juanpedromartinvillareal 19thcenturywomenspublishingpatrociniodebiedmabetweenassociationismandeditorialcollaborativenetworks |
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1715654841676595200 |