La tromba-lituo di Tarquinia nel suo contesto di rinvenimento

The contribution displays all the features regarding the trumpet-lituus found in Tarquinia by the writer herself, Maria Bonghi Jovino. Here, the lituus was found with two other bronze objects - an axe and a shield-, which are also exceptionally cast and hammered, and decorated. All these three objec...

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Main Author: Maria Bonghi Jovino
Format: Article
Language:English
Published: Università degli Studi di Milano 2010-05-01
Series:Aristonothos : Rivista di studi sul Mediterraneo Antico
Online Access:http://riviste.unimi.it/index.php/aristonothos/article/view/571
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spelling doaj-6ecf0a27c27d48be9ef44c4fcdbb97572021-07-02T13:09:09ZengUniversità degli Studi di MilanoAristonothos : Rivista di studi sul Mediterraneo Antico2037-44882385-28952010-05-010111010.6092/2037-4488/571504La tromba-lituo di Tarquinia nel suo contesto di rinvenimentoMaria Bonghi JovinoThe contribution displays all the features regarding the trumpet-lituus found in Tarquinia by the writer herself, Maria Bonghi Jovino. Here, the lituus was found with two other bronze objects - an axe and a shield-, which are also exceptionally cast and hammered, and decorated. All these three objects were intentionally buried after having been deprived of their ‘natural’ function. The article underlines the remarkable aspects of this trumpet in comparison with figurative models and with other artifacts of the same type, in particular the Vulci lituus. This paper goes over again the extensive researches conducted during these years by the writer and other scholars on the instruments themselves, their structure, technical and organological features,  as well as the aspects emerging from the archaeological context. The historical situation implied by the archaeological evidence, connected with all the elements drawn from research, allow  the scholar to assume that the lituus,  axe and shield, were the prerogatives of a king-priest who used them during a very important ceremony. At the end of the liturgy, the objects were ritually broken and buried.http://riviste.unimi.it/index.php/aristonothos/article/view/571
collection DOAJ
language English
format Article
sources DOAJ
author Maria Bonghi Jovino
spellingShingle Maria Bonghi Jovino
La tromba-lituo di Tarquinia nel suo contesto di rinvenimento
Aristonothos : Rivista di studi sul Mediterraneo Antico
author_facet Maria Bonghi Jovino
author_sort Maria Bonghi Jovino
title La tromba-lituo di Tarquinia nel suo contesto di rinvenimento
title_short La tromba-lituo di Tarquinia nel suo contesto di rinvenimento
title_full La tromba-lituo di Tarquinia nel suo contesto di rinvenimento
title_fullStr La tromba-lituo di Tarquinia nel suo contesto di rinvenimento
title_full_unstemmed La tromba-lituo di Tarquinia nel suo contesto di rinvenimento
title_sort la tromba-lituo di tarquinia nel suo contesto di rinvenimento
publisher Università degli Studi di Milano
series Aristonothos : Rivista di studi sul Mediterraneo Antico
issn 2037-4488
2385-2895
publishDate 2010-05-01
description The contribution displays all the features regarding the trumpet-lituus found in Tarquinia by the writer herself, Maria Bonghi Jovino. Here, the lituus was found with two other bronze objects - an axe and a shield-, which are also exceptionally cast and hammered, and decorated. All these three objects were intentionally buried after having been deprived of their ‘natural’ function. The article underlines the remarkable aspects of this trumpet in comparison with figurative models and with other artifacts of the same type, in particular the Vulci lituus. This paper goes over again the extensive researches conducted during these years by the writer and other scholars on the instruments themselves, their structure, technical and organological features,  as well as the aspects emerging from the archaeological context. The historical situation implied by the archaeological evidence, connected with all the elements drawn from research, allow  the scholar to assume that the lituus,  axe and shield, were the prerogatives of a king-priest who used them during a very important ceremony. At the end of the liturgy, the objects were ritually broken and buried.
url http://riviste.unimi.it/index.php/aristonothos/article/view/571
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