A 'What If' Exercise: On the institution of the art school
We are increasingly experiencing an antagonistic polarization within the art schools. This seems to reflect the contemporary socio-political atmosphere, ruled by inequalities and injustices, fuelled by a narrative of scarcity and competition and by a very broadly spread mistrust, when not aggression...
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Performance Philosophy
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doaj-6eb853b6fa704ba0b83cf16b62ddee152020-11-25T00:01:46ZengPerformance PhilosophyPerformance Philosophy2057-71762020-02-015220322010.21476/PP.2020.52287171A 'What If' Exercise: On the institution of the art schoolSilvia Bottiroli0DAS Theatre, AmsterdamWe are increasingly experiencing an antagonistic polarization within the art schools. This seems to reflect the contemporary socio-political atmosphere, ruled by inequalities and injustices, fuelled by a narrative of scarcity and competition and by a very broadly spread mistrust, when not aggression, towards the very idea of the institution. As a matter of fact, schools are one of the few institutions in the theatre field providing a space for such polarizing relationships: they provide a space for friction, for conflict even. This paper approaches the theatre school as an institution and a thinking entity, in the attempt to explore the forms of agonism that it makes possible, and how they can support positive forms of polarization. It assumes the perspective that “we are the institution” and, by acknowledging the agency that each of us has within artistic institutions, suggests some ways of thinking and practicing theatre school otherwise.https://www.performancephilosophy.org/journal/article/view/287art schoolinstitutionfictional institutionart education |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Silvia Bottiroli |
spellingShingle |
Silvia Bottiroli A 'What If' Exercise: On the institution of the art school Performance Philosophy art school institution fictional institution art education |
author_facet |
Silvia Bottiroli |
author_sort |
Silvia Bottiroli |
title |
A 'What If' Exercise: On the institution of the art school |
title_short |
A 'What If' Exercise: On the institution of the art school |
title_full |
A 'What If' Exercise: On the institution of the art school |
title_fullStr |
A 'What If' Exercise: On the institution of the art school |
title_full_unstemmed |
A 'What If' Exercise: On the institution of the art school |
title_sort |
'what if' exercise: on the institution of the art school |
publisher |
Performance Philosophy |
series |
Performance Philosophy |
issn |
2057-7176 |
publishDate |
2020-02-01 |
description |
We are increasingly experiencing an antagonistic polarization within the art schools. This seems to reflect the contemporary socio-political atmosphere, ruled by inequalities and injustices, fuelled by a narrative of scarcity and competition and by a very broadly spread mistrust, when not aggression, towards the very idea of the institution. As a matter of fact, schools are one of the few institutions in the theatre field providing a space for such polarizing relationships: they provide a space for friction, for conflict even.
This paper approaches the theatre school as an institution and a thinking entity, in the attempt to explore the forms of agonism that it makes possible, and how they can support positive forms of polarization. It assumes the perspective that “we are the institution” and, by acknowledging the agency that each of us has within artistic institutions, suggests some ways of thinking and practicing theatre school otherwise. |
topic |
art school institution fictional institution art education |
url |
https://www.performancephilosophy.org/journal/article/view/287 |
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