Tereza Trautman and Os homens que eu tive: a history on cinema and censorship

<p class="western" align="JUSTIFY"><span style="font-family: 'Times New Roman', 'Times New Roman', serif;"><span style="font-size: medium;"><span lang="en-US">Beyond politics, the moral censorship was widel...

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Main Author: Ana Maria Veiga
Format: Article
Language:English
Published: Universidade de São Paulo 2013-12-01
Series:Significação: Revista de Cultura Audiovisual
Subjects:
Online Access:http://www.revistas.usp.br/significacao/article/view/71671
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spelling doaj-6e81a408f3e941f0b00588c2cee5cf5d2020-11-25T02:14:55Zeng Universidade de São PauloSignificação: Revista de Cultura Audiovisual1516-43302316-71142013-12-014040527310.11606/issn.2316-7114.sig.2013.7167169551Tereza Trautman and Os homens que eu tive: a history on cinema and censorshipAna Maria Veiga0UFSC<p class="western" align="JUSTIFY"><span style="font-family: 'Times New Roman', 'Times New Roman', serif;"><span style="font-size: medium;"><span lang="en-US">Beyond politics, the moral censorship was widely practiced in Brazil toward films that contested the military patterns of conduct. In the context of erotic cinema, promoted by Embrafilme, a young director saw her dreams sink in 1973 with a censorship act. This article analyses the interdiction of the film </span></span></span><span style="font-family: 'Times New Roman', 'Times New Roman', serif;"><span style="font-size: medium;"><span lang="en-US"><em>Os homens que eu tive</em></span></span></span><span style="font-family: 'Times New Roman', 'Times New Roman', serif;"><span style="font-size: medium;"><span lang="en-US"> [the men that I’ve had], by Tereza Trautman, as a representative element of arbitrariness with its basis on moral and good habits, strongly emphasized from the military coup d’état.</span></span></span></p>http://www.revistas.usp.br/significacao/article/view/71671Tereza Trautman, Os homens que eu tive, cinema, história, censura.
collection DOAJ
language English
format Article
sources DOAJ
author Ana Maria Veiga
spellingShingle Ana Maria Veiga
Tereza Trautman and Os homens que eu tive: a history on cinema and censorship
Significação: Revista de Cultura Audiovisual
Tereza Trautman, Os homens que eu tive, cinema, história, censura.
author_facet Ana Maria Veiga
author_sort Ana Maria Veiga
title Tereza Trautman and Os homens que eu tive: a history on cinema and censorship
title_short Tereza Trautman and Os homens que eu tive: a history on cinema and censorship
title_full Tereza Trautman and Os homens que eu tive: a history on cinema and censorship
title_fullStr Tereza Trautman and Os homens que eu tive: a history on cinema and censorship
title_full_unstemmed Tereza Trautman and Os homens que eu tive: a history on cinema and censorship
title_sort tereza trautman and os homens que eu tive: a history on cinema and censorship
publisher Universidade de São Paulo
series Significação: Revista de Cultura Audiovisual
issn 1516-4330
2316-7114
publishDate 2013-12-01
description <p class="western" align="JUSTIFY"><span style="font-family: 'Times New Roman', 'Times New Roman', serif;"><span style="font-size: medium;"><span lang="en-US">Beyond politics, the moral censorship was widely practiced in Brazil toward films that contested the military patterns of conduct. In the context of erotic cinema, promoted by Embrafilme, a young director saw her dreams sink in 1973 with a censorship act. This article analyses the interdiction of the film </span></span></span><span style="font-family: 'Times New Roman', 'Times New Roman', serif;"><span style="font-size: medium;"><span lang="en-US"><em>Os homens que eu tive</em></span></span></span><span style="font-family: 'Times New Roman', 'Times New Roman', serif;"><span style="font-size: medium;"><span lang="en-US"> [the men that I’ve had], by Tereza Trautman, as a representative element of arbitrariness with its basis on moral and good habits, strongly emphasized from the military coup d’état.</span></span></span></p>
topic Tereza Trautman, Os homens que eu tive, cinema, história, censura.
url http://www.revistas.usp.br/significacao/article/view/71671
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