Time-Savers: Bertram Brooker and the Politics of Time and Material Culture

The late writings and visual art of Bertram Brooker (1888-1955) represent an overlooked bridge between the space-time discourse of British modernist Wyndham Lewis and the Toronto School of Communication. The Canadian artist-advertiser’s multidisciplinary production of the 1930s through the mid-1950s...

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Main Author: Adam Lauder
Format: Article
Language:English
Published: University of Alberta 2015-11-01
Series:Imaginations: Journal of Cross-Cultural Media Studies
Online Access:http://imaginations.csj.ualberta.ca/?p=7905
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spelling doaj-6e773402964a49d59a86f0f41644ecff2020-11-25T03:51:03ZengUniversity of AlbertaImaginations: Journal of Cross-Cultural Media Studies1918-84392015-11-0162126145http://dx.doi.org/10.17742/IMAGE.CCN.6-2.1117638Time-Savers: Bertram Brooker and the Politics of Time and Material CultureAdam LauderThe late writings and visual art of Bertram Brooker (1888-1955) represent an overlooked bridge between the space-time discourse of British modernist Wyndham Lewis and the Toronto School of Communication. The Canadian artist-advertiser’s multidisciplinary production of the 1930s through the mid-1950s revisits his earlier thematization of Bergsonian concepts of duration and “flux” in abstract canvases and articles for Marketing magazine of the 1920s. Yet his illustrations for The Canadian Forum and the unpublished manuscript The Brave Voices (ca. 1953-55) reveal a fresh awareness of the limits of the Bergsonian paradigm as well as a deepening recognition of its implications as a critique of modernity following the stock market crash of 1929.http://imaginations.csj.ualberta.ca/?p=7905
collection DOAJ
language English
format Article
sources DOAJ
author Adam Lauder
spellingShingle Adam Lauder
Time-Savers: Bertram Brooker and the Politics of Time and Material Culture
Imaginations: Journal of Cross-Cultural Media Studies
author_facet Adam Lauder
author_sort Adam Lauder
title Time-Savers: Bertram Brooker and the Politics of Time and Material Culture
title_short Time-Savers: Bertram Brooker and the Politics of Time and Material Culture
title_full Time-Savers: Bertram Brooker and the Politics of Time and Material Culture
title_fullStr Time-Savers: Bertram Brooker and the Politics of Time and Material Culture
title_full_unstemmed Time-Savers: Bertram Brooker and the Politics of Time and Material Culture
title_sort time-savers: bertram brooker and the politics of time and material culture
publisher University of Alberta
series Imaginations: Journal of Cross-Cultural Media Studies
issn 1918-8439
publishDate 2015-11-01
description The late writings and visual art of Bertram Brooker (1888-1955) represent an overlooked bridge between the space-time discourse of British modernist Wyndham Lewis and the Toronto School of Communication. The Canadian artist-advertiser’s multidisciplinary production of the 1930s through the mid-1950s revisits his earlier thematization of Bergsonian concepts of duration and “flux” in abstract canvases and articles for Marketing magazine of the 1920s. Yet his illustrations for The Canadian Forum and the unpublished manuscript The Brave Voices (ca. 1953-55) reveal a fresh awareness of the limits of the Bergsonian paradigm as well as a deepening recognition of its implications as a critique of modernity following the stock market crash of 1929.
url http://imaginations.csj.ualberta.ca/?p=7905
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