Le rôle de l’image dans Le Cimetière de Prague

If, in a novel like The Last Flame of Queen Loana, the image is used both in a relevant and happy way to show how Umberto Eco conceives, the subject and its memory, in The Cemetery of Prague, it, memory, is problematic, because it is not always in harmony with the textual strategy of the model autho...

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Bibliographic Details
Main Author: Mohamed Bernoussi
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2018-07-01
Series:Cahiers de Narratologie
Subjects:
Online Access:http://journals.openedition.org/narratologie/8252
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spelling doaj-6df4ddf1b7eb4dbdad9d854c091447032021-05-04T12:24:04ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2018-07-013310.4000/narratologie.8252Le rôle de l’image dans Le Cimetière de PragueMohamed BernoussiIf, in a novel like The Last Flame of Queen Loana, the image is used both in a relevant and happy way to show how Umberto Eco conceives, the subject and its memory, in The Cemetery of Prague, it, memory, is problematic, because it is not always in harmony with the textual strategy of the model author. This is so because the numerous illustrations out of which is composed the novel are meant to fulfill their usual role, but a mindful (an attentive) reading shows that these illustrations entertain with the verbal text complex relationships and raise many questions concerning the author's intention, that of his work and its reception.http://journals.openedition.org/narratologie/8252Prague CemeteryAntisemitism19th Centurythe power of the imageIntentio Operis
collection DOAJ
language fra
format Article
sources DOAJ
author Mohamed Bernoussi
spellingShingle Mohamed Bernoussi
Le rôle de l’image dans Le Cimetière de Prague
Cahiers de Narratologie
Prague Cemetery
Antisemitism
19th Century
the power of the image
Intentio Operis
author_facet Mohamed Bernoussi
author_sort Mohamed Bernoussi
title Le rôle de l’image dans Le Cimetière de Prague
title_short Le rôle de l’image dans Le Cimetière de Prague
title_full Le rôle de l’image dans Le Cimetière de Prague
title_fullStr Le rôle de l’image dans Le Cimetière de Prague
title_full_unstemmed Le rôle de l’image dans Le Cimetière de Prague
title_sort le rôle de l’image dans le cimetière de prague
publisher Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
series Cahiers de Narratologie
issn 0993-8516
1765-307X
publishDate 2018-07-01
description If, in a novel like The Last Flame of Queen Loana, the image is used both in a relevant and happy way to show how Umberto Eco conceives, the subject and its memory, in The Cemetery of Prague, it, memory, is problematic, because it is not always in harmony with the textual strategy of the model author. This is so because the numerous illustrations out of which is composed the novel are meant to fulfill their usual role, but a mindful (an attentive) reading shows that these illustrations entertain with the verbal text complex relationships and raise many questions concerning the author's intention, that of his work and its reception.
topic Prague Cemetery
Antisemitism
19th Century
the power of the image
Intentio Operis
url http://journals.openedition.org/narratologie/8252
work_keys_str_mv AT mohamedbernoussi leroledelimagedanslecimetieredeprague
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