Le rôle de l’image dans Le Cimetière de Prague
If, in a novel like The Last Flame of Queen Loana, the image is used both in a relevant and happy way to show how Umberto Eco conceives, the subject and its memory, in The Cemetery of Prague, it, memory, is problematic, because it is not always in harmony with the textual strategy of the model autho...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2018-07-01
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| Series: | Cahiers de Narratologie |
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| Online Access: | http://journals.openedition.org/narratologie/8252 |
| Summary: | If, in a novel like The Last Flame of Queen Loana, the image is used both in a relevant and happy way to show how Umberto Eco conceives, the subject and its memory, in The Cemetery of Prague, it, memory, is problematic, because it is not always in harmony with the textual strategy of the model author. This is so because the numerous illustrations out of which is composed the novel are meant to fulfill their usual role, but a mindful (an attentive) reading shows that these illustrations entertain with the verbal text complex relationships and raise many questions concerning the author's intention, that of his work and its reception. |
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| ISSN: | 0993-8516 1765-307X |