Il cinema di Pasolini e la morte: tra complesso della mummia e sindrome di Frankenstein

Cinema's ability to defeat death by stopping the run of time is written inside its own statute. Confiding on this capacity, Pasolini devotes his filmic work to the theme of death (interrogated through Christ's myth) and elaborates a linguistic theory (strictly linked to the performative as...

Full description

Bibliographic Details
Main Author: Tomaso Subini
Format: Article
Language:English
Published: Università degli Studi di Milano 2010-10-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/690
Description
Summary:Cinema's ability to defeat death by stopping the run of time is written inside its own statute. Confiding on this capacity, Pasolini devotes his filmic work to the theme of death (interrogated through Christ's myth) and elaborates a linguistic theory (strictly linked to the performative aspects of his artistic work) to give an explanation of death through a filmic metaphor.
ISSN:2035-7680