The emergence of art in the contemporary city: strategies of interruption and aestheticization of public space

The emergence of art in the contemporary city: strategies of interruption and aestheticization of public space

Since the consolidation of modernity, the city is understood as a means of control strategy.  This condition of the city can be explained from the idea of the project, related with the search  of progress that defines modernity. In this context architecture and urban design are understood as plannin...

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Main Author: Felipe Andrés Corvalán Tapia
Format: Article
Language:Spanish
Published: Universidad de Chile 2014-06-01
Series:Revista de Urbanismo
Online Access:https://revistaurbanismo.uchile.cl/index.php/RU/article/view/30878
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spelling doaj-6d18b08e95664ef388142297b465449a2020-11-24T21:36:42ZspaUniversidad de ChileRevista de Urbanismo0717-50512014-06-0130ág. 21410.5354/ru.v16i30.3087830878The emergence of art in the contemporary city: strategies of interruption and aestheticization of public spaceFelipe Andrés Corvalán Tapia0Universidad de ChileSince the consolidation of modernity, the city is understood as a means of control strategy.  This condition of the city can be explained from the idea of the project, related with the search  of progress that defines modernity. In this context architecture and urban design are understood as planning tools, which guides the life in the city. On the other hand, the emergence of art in the public space can be characterized as a sign of strangeness that can activate our critical capability to perceive the city. In this framework, the following article, discusses the relationship between art and architecture in the Chilean context, confronting two concepts: interruption and aestheticization.https://revistaurbanismo.uchile.cl/index.php/RU/article/view/30878
collection DOAJ
language Spanish
format Article
sources DOAJ
author Felipe Andrés Corvalán Tapia
spellingShingle Felipe Andrés Corvalán Tapia
The emergence of art in the contemporary city: strategies of interruption and aestheticization of public space
Revista de Urbanismo
author_facet Felipe Andrés Corvalán Tapia
author_sort Felipe Andrés Corvalán Tapia
title The emergence of art in the contemporary city: strategies of interruption and aestheticization of public space
title_short The emergence of art in the contemporary city: strategies of interruption and aestheticization of public space
title_full The emergence of art in the contemporary city: strategies of interruption and aestheticization of public space
title_fullStr The emergence of art in the contemporary city: strategies of interruption and aestheticization of public space
title_full_unstemmed The emergence of art in the contemporary city: strategies of interruption and aestheticization of public space
title_sort emergence of art in the contemporary city: strategies of interruption and aestheticization of public space
publisher Universidad de Chile
series Revista de Urbanismo
issn 0717-5051
publishDate 2014-06-01
description Since the consolidation of modernity, the city is understood as a means of control strategy.  This condition of the city can be explained from the idea of the project, related with the search  of progress that defines modernity. In this context architecture and urban design are understood as planning tools, which guides the life in the city. On the other hand, the emergence of art in the public space can be characterized as a sign of strangeness that can activate our critical capability to perceive the city. In this framework, the following article, discusses the relationship between art and architecture in the Chilean context, confronting two concepts: interruption and aestheticization.
url https://revistaurbanismo.uchile.cl/index.php/RU/article/view/30878
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