THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)
The article for the first time poses the question about the influence of the poetics and ideology of G. Uspensky on the works of D. Merezhkovsky. The comparative analysis of Uspensky’s essay “Выпрямила” (“She Straightened Out”, 1885) and the corpus of the texts of Merezhkovsky, written in 1890-1900s...
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Moscow Region State University Editorial Office
2019-03-01
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Series: | Вестник Московского государственного областного университета: Серия: Русская филология |
Online Access: | http://vestnik-mgou.ru/Articles/View/12933 |
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doaj-6cd19e77346d4af7abc9872f9225d1a72020-11-25T01:22:40ZrusMoscow Region State University Editorial OfficeВестник Московского государственного областного университета: Серия: Русская филология2310-72782019-03-011808810.18384/2310-7278-2019-1-80-88THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)Дячук Татьяна ВладимировнаThe article for the first time poses the question about the influence of the poetics and ideology of G. Uspensky on the works of D. Merezhkovsky. The comparative analysis of Uspensky’s essay “Выпрямила” (“She Straightened Out”, 1885) and the corpus of the texts of Merezhkovsky, written in 1890-1900s (the poem “The End of the Century” and the trilogy “Christ and the Antichrist”) discovers that one of the central images of Merezhkovsky, the statue of Venus, was born in creative competition with Uspensky. The study, carried out in the framework of the historical-literary method, allows to establish the continuity between the late literary populism and the symbolist art of the Silver Age. The article is addressed to all those interested in the Russian literature and the history of the Russian intelligentsia.http://vestnik-mgou.ru/Articles/View/12933 |
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DOAJ |
language |
Russian |
format |
Article |
sources |
DOAJ |
author |
Дячук Татьяна Владимировна |
spellingShingle |
Дячук Татьяна Владимировна THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY) Вестник Московского государственного областного университета: Серия: Русская филология |
author_facet |
Дячук Татьяна Владимировна |
author_sort |
Дячук Татьяна Владимировна |
title |
THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY) |
title_short |
THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY) |
title_full |
THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY) |
title_fullStr |
THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY) |
title_full_unstemmed |
THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY) |
title_sort |
statue of venus in the russian literature of the 1880-1890s (d. merezhkovsky and g. uspensky) |
publisher |
Moscow Region State University Editorial Office |
series |
Вестник Московского государственного областного университета: Серия: Русская филология |
issn |
2310-7278 |
publishDate |
2019-03-01 |
description |
The article for the first time poses the question about the influence of the poetics and ideology of G. Uspensky on the works of D. Merezhkovsky. The comparative analysis of Uspensky’s essay “Выпрямила” (“She Straightened Out”, 1885) and the corpus of the texts of Merezhkovsky, written in 1890-1900s (the poem “The End of the Century” and the trilogy “Christ and the Antichrist”) discovers that one of the central images of Merezhkovsky, the statue of Venus, was born in creative competition with Uspensky. The study, carried out in the framework of the historical-literary method, allows to establish the continuity between the late literary populism and the symbolist art of the Silver Age. The article is addressed to all those interested in the Russian literature and the history of the Russian intelligentsia. |
url |
http://vestnik-mgou.ru/Articles/View/12933 |
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