THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)

The article for the first time poses the question about the influence of the poetics and ideology of G. Uspensky on the works of D. Merezhkovsky. The comparative analysis of Uspensky’s essay “Выпрямила” (“She Straightened Out”, 1885) and the corpus of the texts of Merezhkovsky, written in 1890-1900s...

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Main Author: Дячук Татьяна Владимировна
Format: Article
Language:Russian
Published: Moscow Region State University Editorial Office 2019-03-01
Series:Вестник Московского государственного областного университета: Серия: Русская филология
Online Access:http://vestnik-mgou.ru/Articles/View/12933
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spelling doaj-6cd19e77346d4af7abc9872f9225d1a72020-11-25T01:22:40ZrusMoscow Region State University Editorial OfficeВестник Московского государственного областного университета: Серия: Русская филология2310-72782019-03-011808810.18384/2310-7278-2019-1-80-88THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)Дячук Татьяна ВладимировнаThe article for the first time poses the question about the influence of the poetics and ideology of G. Uspensky on the works of D. Merezhkovsky. The comparative analysis of Uspensky’s essay “Выпрямила” (“She Straightened Out”, 1885) and the corpus of the texts of Merezhkovsky, written in 1890-1900s (the poem “The End of the Century” and the trilogy “Christ and the Antichrist”) discovers that one of the central images of Merezhkovsky, the statue of Venus, was born in creative competition with Uspensky. The study, carried out in the framework of the historical-literary method, allows to establish the continuity between the late literary populism and the symbolist art of the Silver Age. The article is addressed to all those interested in the Russian literature and the history of the Russian intelligentsia.http://vestnik-mgou.ru/Articles/View/12933
collection DOAJ
language Russian
format Article
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author Дячук Татьяна Владимировна
spellingShingle Дячук Татьяна Владимировна
THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)
Вестник Московского государственного областного университета: Серия: Русская филология
author_facet Дячук Татьяна Владимировна
author_sort Дячук Татьяна Владимировна
title THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)
title_short THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)
title_full THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)
title_fullStr THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)
title_full_unstemmed THE STATUE OF VENUS IN THE RUSSIAN LITERATURE OF THE 1880-1890s (D. MEREZHKOVSKY AND G. USPENSKY)
title_sort statue of venus in the russian literature of the 1880-1890s (d. merezhkovsky and g. uspensky)
publisher Moscow Region State University Editorial Office
series Вестник Московского государственного областного университета: Серия: Русская филология
issn 2310-7278
publishDate 2019-03-01
description The article for the first time poses the question about the influence of the poetics and ideology of G. Uspensky on the works of D. Merezhkovsky. The comparative analysis of Uspensky’s essay “Выпрямила” (“She Straightened Out”, 1885) and the corpus of the texts of Merezhkovsky, written in 1890-1900s (the poem “The End of the Century” and the trilogy “Christ and the Antichrist”) discovers that one of the central images of Merezhkovsky, the statue of Venus, was born in creative competition with Uspensky. The study, carried out in the framework of the historical-literary method, allows to establish the continuity between the late literary populism and the symbolist art of the Silver Age. The article is addressed to all those interested in the Russian literature and the history of the Russian intelligentsia.
url http://vestnik-mgou.ru/Articles/View/12933
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