‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM

Regarding FILM, an installation that took place from 11 October 2011 to 11 March 2012 as part of Tate Modern’s Unilever Series, the artist Tacita Dean remarks that ‘it is a platform for me to say let’s protect film’. Dean’s simple, bold statement will allow me to expand upon the importance of this w...

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Bibliographic Details
Main Author: Caylin Smith
Format: Article
Language:English
Published: Amsterdam University Press 2012-01-01
Series:NECSUS : European journal of media studies
Online Access:https://www.necsus-ejms.org/test/the-last-ray-of-the-dying-sun-tacita-deans-commitment-to-analogue-media-as-demonstrated-through-floh-and-film/
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spelling doaj-6caf72d9e4fc41f383810b9e0084e70a2020-11-25T03:35:02ZengAmsterdam University PressNECSUS : European journal of media studies2213-02172012-01-011226929810.5117/NECSUS2012.2.SMIT‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILMCaylin SmithRegarding FILM, an installation that took place from 11 October 2011 to 11 March 2012 as part of Tate Modern’s Unilever Series, the artist Tacita Dean remarks that ‘it is a platform for me to say let’s protect film’. Dean’s simple, bold statement will allow me to expand upon the importance of this work and FLOH – her earlier artist’s book of collected photographs – in regard to her crusade to illustrate the importance of analogue film technology. Whereas issues of memory and preservation are heavily articulated throughout Dean’s entire oeuvre, my discussion will be restricted primarily to these works, since they allow great insight into two analogue mediums and how viewers engage with such material.https://www.necsus-ejms.org/test/the-last-ray-of-the-dying-sun-tacita-deans-commitment-to-analogue-media-as-demonstrated-through-floh-and-film/
collection DOAJ
language English
format Article
sources DOAJ
author Caylin Smith
spellingShingle Caylin Smith
‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
NECSUS : European journal of media studies
author_facet Caylin Smith
author_sort Caylin Smith
title ‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
title_short ‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
title_full ‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
title_fullStr ‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
title_full_unstemmed ‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
title_sort ‘the last ray of the dying sun’ – tacita dean’s commitment to analogue media as demonstrated through floh and film
publisher Amsterdam University Press
series NECSUS : European journal of media studies
issn 2213-0217
publishDate 2012-01-01
description Regarding FILM, an installation that took place from 11 October 2011 to 11 March 2012 as part of Tate Modern’s Unilever Series, the artist Tacita Dean remarks that ‘it is a platform for me to say let’s protect film’. Dean’s simple, bold statement will allow me to expand upon the importance of this work and FLOH – her earlier artist’s book of collected photographs – in regard to her crusade to illustrate the importance of analogue film technology. Whereas issues of memory and preservation are heavily articulated throughout Dean’s entire oeuvre, my discussion will be restricted primarily to these works, since they allow great insight into two analogue mediums and how viewers engage with such material.
url https://www.necsus-ejms.org/test/the-last-ray-of-the-dying-sun-tacita-deans-commitment-to-analogue-media-as-demonstrated-through-floh-and-film/
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