Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication
Fairy tales that have been illustrated with a single image apiece are themselves generally a commercial enterprise, whose content and design must be conceived in a broadly acceptable mode in order to sell. Second, the selling process assumes a profit motive. Third, it can be shown that the single il...
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Radboud University Press in cooperation with Open Journals
2010-12-01
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Online Access: | http://www.revue-relief.org/articles/10.18352/relief.542/ |
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doaj-6ca72a619b78456383a6e35667b1638c2021-10-02T04:28:12ZengRadboud University Press in cooperation with Open JournalsRelief: Revue Électronique de Littérature Francaise1873-50452010-12-014214215710.18352/relief.542413Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and PublicationRuth B. BottigheimerFairy tales that have been illustrated with a single image apiece are themselves generally a commercial enterprise, whose content and design must be conceived in a broadly acceptable mode in order to sell. Second, the selling process assumes a profit motive. Third, it can be shown that the single illustration mode results in projecting an individual illustratorʹs vision of a tale. Fourth, when large numbers of illustrations in single‐illustration mode exist in commercially produced books, the aggregate range of their content comprises the range of culturally‐acceptable images for a given story. (A methodology for analyzing fairy tales with multiple images will be introduced separately at the end of this article.)http://www.revue-relief.org/articles/10.18352/relief.542/publisher's rolegender analysisGrimms' "Goosegirl"cultural constraintschildren's drawings |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Ruth B. Bottigheimer |
spellingShingle |
Ruth B. Bottigheimer Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication Relief: Revue Électronique de Littérature Francaise publisher's role gender analysis Grimms' "Goosegirl" cultural constraints children's drawings |
author_facet |
Ruth B. Bottigheimer |
author_sort |
Ruth B. Bottigheimer |
title |
Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication |
title_short |
Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication |
title_full |
Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication |
title_fullStr |
Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication |
title_full_unstemmed |
Fairy Tale Illustrations and Real World Gender: Function, Conceptualization, and Publication |
title_sort |
fairy tale illustrations and real world gender: function, conceptualization, and publication |
publisher |
Radboud University Press in cooperation with Open Journals |
series |
Relief: Revue Électronique de Littérature Francaise |
issn |
1873-5045 |
publishDate |
2010-12-01 |
description |
Fairy tales that have been illustrated with a single image apiece are themselves generally a commercial enterprise, whose content and design must be conceived in a broadly acceptable mode in order to sell. Second, the selling process assumes a profit motive. Third, it can be shown that the single illustration mode results in projecting an individual illustratorʹs vision of a tale. Fourth, when large numbers of illustrations in single‐illustration mode exist in commercially produced books, the aggregate range of their content comprises the range of culturally‐acceptable images for a given story. (A methodology for analyzing fairy tales with multiple images will be introduced separately at the end of this article.) |
topic |
publisher's role gender analysis Grimms' "Goosegirl" cultural constraints children's drawings |
url |
http://www.revue-relief.org/articles/10.18352/relief.542/ |
work_keys_str_mv |
AT ruthbbottigheimer fairytaleillustrationsandrealworldgenderfunctionconceptualizationandpublication |
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1716859145887416320 |