PERIPHERIC MODERNITIES IN THE INTERNATIONAL ART CIRCUIT IN THE NINETIES
The great exhibitions of the early nineties had something in common: they fought for the redefinition of the artistic criteria in opposition of doxa in their respective fields (Bourdieu, 2003: 170). This redefinition led to rethink the relationship between the production of the central countries and...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Estadual do Oeste do Paraná
2011-10-01
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| Series: | Travessias |
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| Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/5590 |