Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican art

Contemporary Mozambican artists who use detritus as media create artworks that chronicle their culture through bits and pieces of its discarded histories. By using culturally specific and symbolically charged recyclia, these artists create art that is quintessentially Mozambican, as the materials t...

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Main Author: Amy Schwartzott
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2017-03-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/1803
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spelling doaj-6c2ee5a372b847d682e5f69136ffbf4c2020-11-25T02:05:12ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702017-03-01512Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican artAmy Schwartzott0Coastal Carolina University, USA Contemporary Mozambican artists who use detritus as media create artworks that chronicle their culture through bits and pieces of its discarded histories. By using culturally specific and symbolically charged recyclia, these artists create art that is quintessentially Mozambican, as the materials they use become potent signifiers of Mozambique. Contemporary artists’ use of recycling, in particular the recycling of weapons in the Transforming Arms into Plowshares/Transformação de Armas em Enxadas (TAE) project allows recycling to emerge as a paradigm in contemporary African art, and as a potent tool for cultural investigation. Utilizing recycling as a tool develops a broad, cross-cultural, interdisciplinary framework to investigate complex issues within divergent African and global societies. Artists in Mozambique who recycle are not only connected to cultural and artistic practices of the past, they continue these traditions within contemporary contexts. By creating artwork from cast-off materials, artists who utilize unwanted debris in Mozambique illustrate how recycling permeates all levels of society, including its broad expansion into art making, and how the use of reprocessed materials by artists both inspires and instills a sense of pride in artistic practices. https://journals.assaf.org.za/index.php/tvl/article/view/1803detritus as artworkMozambican artrecyclingTransforming Arms into Plowshares/Transformação de Armas em Enxadas (TAE)
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Amy Schwartzott
spellingShingle Amy Schwartzott
Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican art
Tydskrif vir Letterkunde
detritus as artwork
Mozambican art
recycling
Transforming Arms into Plowshares/Transformação de Armas em Enxadas (TAE)
author_facet Amy Schwartzott
author_sort Amy Schwartzott
title Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican art
title_short Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican art
title_full Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican art
title_fullStr Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican art
title_full_unstemmed Looking forward towards peace by remembering the past: Recycling war and lived histories in contemporary Mozambican art
title_sort looking forward towards peace by remembering the past: recycling war and lived histories in contemporary mozambican art
publisher Tydskrif vir Letterkunde Association
series Tydskrif vir Letterkunde
issn 0041-476X
2309-9070
publishDate 2017-03-01
description Contemporary Mozambican artists who use detritus as media create artworks that chronicle their culture through bits and pieces of its discarded histories. By using culturally specific and symbolically charged recyclia, these artists create art that is quintessentially Mozambican, as the materials they use become potent signifiers of Mozambique. Contemporary artists’ use of recycling, in particular the recycling of weapons in the Transforming Arms into Plowshares/Transformação de Armas em Enxadas (TAE) project allows recycling to emerge as a paradigm in contemporary African art, and as a potent tool for cultural investigation. Utilizing recycling as a tool develops a broad, cross-cultural, interdisciplinary framework to investigate complex issues within divergent African and global societies. Artists in Mozambique who recycle are not only connected to cultural and artistic practices of the past, they continue these traditions within contemporary contexts. By creating artwork from cast-off materials, artists who utilize unwanted debris in Mozambique illustrate how recycling permeates all levels of society, including its broad expansion into art making, and how the use of reprocessed materials by artists both inspires and instills a sense of pride in artistic practices.
topic detritus as artwork
Mozambican art
recycling
Transforming Arms into Plowshares/Transformação de Armas em Enxadas (TAE)
url https://journals.assaf.org.za/index.php/tvl/article/view/1803
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