The Influence of Late Gothic Jewellery and Goldsmithing of the Court of the Catholic Monarchs in Tudor England

The alliance between Castile, Aragon and England after the rise of the Tudor dynasty to the throne of England meant the arrival to the English court of a sumptuous matrimonial dowry for the infanta Catherine of Aragon, who was married to both of Henry VII’s heirs, Arthur and Henry. In contrast to hi...

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Main Author: Emma Luisa Cahill Marrón
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2015-02-01
Series:Anales de Historia del Arte
Subjects:
Online Access:http://revistasculturales.ucm.es/index.php/ANHA/article/view/48268
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spelling doaj-6c12a83cde4246ab9b8527b81fd2af502020-11-25T02:19:09ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912015-02-01240395210.5209/rev_ANHA.2014.4826846197The Influence of Late Gothic Jewellery and Goldsmithing of the Court of the Catholic Monarchs in Tudor EnglandEmma Luisa Cahill Marrón0Universidad de Cantabria Departamento de Historia Moderna y ContemporáneaThe alliance between Castile, Aragon and England after the rise of the Tudor dynasty to the throne of England meant the arrival to the English court of a sumptuous matrimonial dowry for the infanta Catherine of Aragon, who was married to both of Henry VII’s heirs, Arthur and Henry. In contrast to his father’s reign, in various inventories in Henry VIII’s time there are abundant references to jewels and goldsmith pieces with decorations of sheaths of arrows, castles and pomegranates or pieces that are referred to as Spanish work or of Spanish style. The aim of this paper is to show how goldsmithing in the reign of the Catholic Monarchs had an impact on the Tudor artistic development and how the objects in the dowry of the <em>infanta </em>Catherine appear not only in royal inventories but were spread throughout the court. Possible connections between Queen Catherine and her role as an artistic patron in the Tudor court will also be pointed out.http://revistasculturales.ucm.es/index.php/ANHA/article/view/48268reyes católicostudorcatalina de aragónenrique viiiorfebreríajoyería.
collection DOAJ
language English
format Article
sources DOAJ
author Emma Luisa Cahill Marrón
spellingShingle Emma Luisa Cahill Marrón
The Influence of Late Gothic Jewellery and Goldsmithing of the Court of the Catholic Monarchs in Tudor England
Anales de Historia del Arte
reyes católicos
tudor
catalina de aragón
enrique viii
orfebrería
joyería.
author_facet Emma Luisa Cahill Marrón
author_sort Emma Luisa Cahill Marrón
title The Influence of Late Gothic Jewellery and Goldsmithing of the Court of the Catholic Monarchs in Tudor England
title_short The Influence of Late Gothic Jewellery and Goldsmithing of the Court of the Catholic Monarchs in Tudor England
title_full The Influence of Late Gothic Jewellery and Goldsmithing of the Court of the Catholic Monarchs in Tudor England
title_fullStr The Influence of Late Gothic Jewellery and Goldsmithing of the Court of the Catholic Monarchs in Tudor England
title_full_unstemmed The Influence of Late Gothic Jewellery and Goldsmithing of the Court of the Catholic Monarchs in Tudor England
title_sort influence of late gothic jewellery and goldsmithing of the court of the catholic monarchs in tudor england
publisher Universidad Complutense de Madrid
series Anales de Historia del Arte
issn 0214-6452
1988-2491
publishDate 2015-02-01
description The alliance between Castile, Aragon and England after the rise of the Tudor dynasty to the throne of England meant the arrival to the English court of a sumptuous matrimonial dowry for the infanta Catherine of Aragon, who was married to both of Henry VII’s heirs, Arthur and Henry. In contrast to his father’s reign, in various inventories in Henry VIII’s time there are abundant references to jewels and goldsmith pieces with decorations of sheaths of arrows, castles and pomegranates or pieces that are referred to as Spanish work or of Spanish style. The aim of this paper is to show how goldsmithing in the reign of the Catholic Monarchs had an impact on the Tudor artistic development and how the objects in the dowry of the <em>infanta </em>Catherine appear not only in royal inventories but were spread throughout the court. Possible connections between Queen Catherine and her role as an artistic patron in the Tudor court will also be pointed out.
topic reyes católicos
tudor
catalina de aragón
enrique viii
orfebrería
joyería.
url http://revistasculturales.ucm.es/index.php/ANHA/article/view/48268
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